SIGNIFICANT CHANGES INTRODUCED AND PLANNED TO UK IP LEGISLATION

By John Wilks and Charles Harvey

UK IP legislation is changing.

First, the Enterprise and Regulatory Reform Act 2013 (which received Royal Assent on 25 April 2013), has just been published, and modifies UK copyright law (though not as drastically as some would have liked).

Secondly, the Government announced in the Queen's Speech that it will be introducing an Intellectual Property Bill to make changes to the law of design and patents.

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Broadcasters Request En Banc Rehearing After Court of Appeals Rejects Shutdown of Retransmission Service Aereo

UPDATE:  Earlier this month, the Second Circuit in a 2-1 decision affirmed a lower court ruling rejecting an injunction against broadcast television retransmitting service Aereo, based on the Copyright Act’s public/private performance provisions. Yesterday, in response to this decision, broadcasters filed a petition with the Second Circuit for an en banc review arguing that the recent decision defeats the “express purposes” of the Copyright Act of 1976 by “allowing new and existing distributors to design around th[e] license requirement and profit from the delivery of copyrighted programming while paying nothing for it.”

Below we have republished our firm’s blog entry discussing the recent Second Circuit decision, which the broadcasters are now challenging in their petition. 

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SPORTS, MEDIA AND ENTERTAINMENT INTELLIGENCE, APRIL, 2013: INTERNET AND DIGITAL MEDIA

Repost from the Sports, Media and Entertainment Intelligence bulletin from the Media & Sports Group at DLA Piper

INTERNET AND DIGITAL MEDIA

UK: Proprietary rights from copyright infringement - Twentieth Century Fox Film Corporation v David Harris

A copyright owner does not have a proprietary claim to the profits from an infringement of its copyright, a UK court has ruled in a case involving a website that offered its users unlawful copies of copyrighted films, TV shows and other materials.

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DLA Piper secures second noteworthy copyright win, clearing way for release of Emma Thompson's film, 'Effie'

DLA Piper represented Effie Film, LLC, the producer of the motion picture Effie, in a successful infringement case against New York playwright Gregory Murphy. Murphy had accused Academy Award-winning actress and screenwriter Emma Thompson, the author of the Effie screenplay, of infringing his copyright. A March 20, 2013 decision of the Southern District of New York found that Effie did not infringe Murphy’s copyright, and upheld the right of authors of fiction to re-interpret history and historical figures through their own creative vision.

This decision marks the second victory DLA Piper has secured on behalf of Effie Film, LLC, clearing the film from all claims of infringement.

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IP Alert: TV CATCHUP CAUGHT OUT?

By John Wilks and Catherine Beloff

The CJEU has handed down its decision on the copyright questions referred by the UK High Court in the long-running battle between ITV, Channel 4 and Channel 5 and TV Catchup ("TVC"). Copyright owners will be relieved that the CJEU has confirmed that streaming content via the internet constitutes the infringing act of communication to the public. 

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SPORTS, MEDIA AND ENTERTAINMENT INTELLIGENCE, FEBRUARY, 2013: DIGITAL MEDIA AND INTERNET II

Repost from the Sports, Media and Entertainment Intelligence bulletin from the Media & Sports Group at DLA Piper

DIGITAL MEDIA AND INTERNET

UK: Relaxation on UK copyright law

In the UK government's response to consultation on copyright exceptions and clarifying copyright law published in December 2012, the UK government has announced that copyright law will be changed in order to reduce possible barriers to competition and growth while continuing to incentivise content creators and support them in protecting their rights from unlawful use.

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DC Bar's "For the Love of Fashion: Protect Yourself" Event

Last night, we attended a DC Bar fashion law panel discussion, "For the Love of Fashion: Protect Yourself," at Baker Hostetler in Washington DC. It was a very informative and comprehensive discussion from in-house and outside counsel, including DLA Piper's Lisa Norton, who is Of Counsel in the Patent Prosecution group, on trademark, copyright, and patent protection as well as current hot-button developments in fashion law and anti-counterfeiting.

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DLA PIPER COPYRIGHT VICTORY FOR EMMA THOMPSON

By James Stewart

Andy Deutsch, a partner in DLA Piper’s Trademark Copyright and Media practice group in the New York Office, recently won a judgment on the pleadings for Oscar-winning actress and writer Emma Thompson in the District Court for the Southern District of New York. Mr. Deutsch commented to Law360 on Tuesday that, “we are very happy that Judge Oetken found that Effie is an entirely original interpretation of historical facts, and rejected groundless accusations of copyright infringement. It is very gratifying to help make it possible for a world audience to see this great story and film.” This case is particularly important due to its high profile parties and clarification of copyright protection for works of historical fiction.

Eve Pommerance is a writer who owns the copyright for two screen plays based on the lives of historical characters John Ruskin, John Everett Millais, and Euphemia “Effie” Gray, set in the Victorian art world. Ms. Thompson authored a screenplay exploring the lives and relationships of the same historical characters. Ms. Thompson’s screenplay has been made into a major motion picture titled Effie, starring Ms. Thompson, Dakota Fanning, and Robbie Coltrane, which is now in the post-production stage.

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Top Tips for IP Protection in China

Melinda Upton and Edward Chatterton, two of our international partners, share their expertise and discuss top tips for intellectual property protection in China.

This interview was originally posted at BRRMedia. For a full transcript of the interview, please click here.

 

Lawyer's Monday: IP Litigation Strategies in Italy

This video was originally posted by the DLA Piper Italian Intellectual Property and Technology team at http://blog.dlapiper.com/iptitaly/.

 

Librarian of Congress Issues New Digital Millennium Copyright Act Exemptions

By Erin Wright Lothson

The Digital Millennium Copyright Act (“DMCA”) was passed in 1998 and makes it illegal to circumvent digital rights management protections, including software. Given the rapid pace at which technology changes, Congress also granted the Librarian of Congress the power to issue exemptions to the DMCA every three years. The latest round of exemptions were issued on October 28, 2012.

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The "Copy" Right in Australia

By Kathryn Purcell-Hennessy (Brisbane, Australia)

Introduction

Internet use in Australia is widespread, with the Australian Bureau of Statistics reporting that in 2010-11 (the latest figures available), more than 50% of Australians aged between 15 and 34 created online content and downloaded videos, movies or music. More than 68% of Australians in those age brackets listened to music or watched videos or movies online and over 75% used the Internet for social media and online gaming in the same period. The Internet hosts increasing volumes of user-generated content, and encourages use of copyright materials in emerging ways, which may infringe copyright.

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GANGNAM STYLE VS. GANGNAM STYLE

By Eunice Chung

Note: Eunice Chung is a native Korean and a former resident of the Gangnam district of Seoul, South Korea and she is also a long-time fan of PSY.

The music video entitled GANGNAM STYLE (강남스타일) performed by a South Korean pop artist Park Jae Sang (better known as his stage name “PSY”) went viral on YouTube and has become the second most-watched YouTube Video of all time with more than 620 million hits. The popularity of the song/music video and PSY’s signature “horse-riding” dance moves has drawn lots of media attention and has spawned hundreds of parodies and tribute videos all over the world.

Here’s the video clip for those who haven’t seen it:

 

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DLA Piper Gathers in Schaumburg for IPT Retreat

This past weekend, over 200 DLA Piper attorneys traveled to Schaumburg, Illinois for the Intellectual Property & Technology (IPT) Practice Group Conference (“Conference”). The Conference’s theme was “Celebration and Commitment.” This three-day event focused on networking across offices, celebrating the achievements of the IPT practice, and committing to goals to expand and improve the IPT practice in 2013.

The Conference consisted of sessions on alternative fee arrangements, business development, diversity and pro bono projects, social media brand building, and team building. Of course, the highlights of the Conference were the very humorous group commercials on the DLA Piper IPT brand and the entertaining Karaoke night. We look forward to next year’s Conference!

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Sequins, Crystals, and Satin: 2nd Circuit Declines to Extend Copyright Protection to Prom Dresses

By James Stewart

It is an exciting time for fashion law in the Second Circuit. On the heels of a landmark trademark decision holding that red soles could serve as a source identifier, the Second Circuit now approaches fashion law from a different perspective—copyright.

As mentioned in previous posts, fashion designers today rely primarily on trademark, patent, and anti-counterfeiting laws as the sources of protection for their designs. In some instances, designers invoke narrow copyright protection for their works.

Prom and pageant dress designer Jovani Fashion Ltd. (“Jovani”) brought a copyright infringement action against Fiesta Fashions (“Fiesta”) in the District Court for the Southern District of New York for allegedly copying decorative aspects of Jovani’s designs. Jovani’s claim of copyright protection is founded upon the idea that the design at issue combines features which serve both decorative and utilitarian purposes, but can be separated from the article and function independently. The District Court dismissed the action for failure to state a claim upon which relief could be granted.

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NEW TECHNOLOGY GIVES RISE TO MADONNA COPYRIGHT CLAIM

By James Stewart

Madonna is the center of attention again regarding alleged misappropriation (remember the “Express Yourself” debate?).  The “Material Girl” is once again en vogue on the copyright docket in the Ninth Circuit.  According to IPLaw360, record label VMG Saloul LLC has sued Madonna, her record label, and a co-composer (collectively, “Madonna”) with whom she worked to compose and produce the smash-hit “Vogue” for copyright infringement.

VMG alleges that Madonna covertly incorporated pieces of their late-seventies disco track “Love Break” into the infamous 1990 hit single “Vogue”.  In an attempt to bypass the Copyright Act’s statute of limitations, VMG argues that it was unable to detect such copying until new technology was developed in 2011.

Madonna quickly denied that any copying took place.  However, most interesting about the Material Girl’s motion is her observation that VMG’s “new technology” argument effectively wipes out any chances of success in this infringement suit.

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You Can't Take It With You (or Leave It To Your Heirs)

By Ryan Compton

Bruce Willis may take a lot of chances in his movies, but recent newspaper stories reported he’s not interested in taking any chances with his real-life digital media. While the statements in these press reports, which indicated that Mr. Willis was considering challenging licensing terms prohibiting transfer of his digital media collection after his death, have since been retracted, the issue has caught the attention of digital media purchasers. Like many, Mr. Willis presumably has extensive physical and digital media collections he would like to transfer to his heirs; however the law treats the transfer of physical and digital media differently. While it seems Mr. Willis may not be interested in taking action at this time, his reported concerns shed light on an often overlooked discrepancy in transfers of media containing copyrightable expression.

For the last 150 years, entertainment lovers have purchased their favorite media on one physical format after another: wax cylinders, piano rolls, vinyl LPs, 8 tracks, cassettes, Compact Discs, MiniDiscs, BetaMax, VHS, DVDs, BlueRay discs. But while the various forms have evolved, one fundamental characteristic has remained the same: what happened to these assets when their original owner passed away. Each physical item and its title passed on to the heirs of the deceased, subject to state estate law. Further, the First Sale Doctrine prohibited copyright owners from blocking such transfers: after the first sale of an item embodying copyrightable content, the copyright holder's rights to control that particular item is exhausted. The owner of that item can distribute, sell, or otherwise dispose of it as they please.

 

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CONGRESSIONAL FALL FASHION MONTH

By James Stewart

While New York has Fashion Week, September has proved to be Fashion Month in the Senate. On September 10, 2012, Senator Charles Schumer (D-NY) introduced S.3523 the “Innovative Design Protection Act of 2012” (“the Bill”).  The Bill, aimed at extending intellectual property protection to fashion designs, was approved by the Senate Judiciary Committee on September 20, 2012.

WHAT DOES THIS MEAN FOR FASHION DESIGNERS?  

It is no secret that intellectual property protection for fashion designs has been a heavily debated issue in the legislature since 2006.  While one would think the fashion community would be ecstatic about protection for original designs and creativity, in an industry with diverse stake holders, many are concerned about the potential implications of this Bill and its effects on fashion designers’ rights.

Although exceptional limits exist in each of the methods fashion designers may use to try to protect their designs, fashion designers today rely primarily on trademark, patent, and anti-counterfeiting laws as the main sources of protection for their intellectual property.  Additionally, fashion designers are afforded very limited protection under the current iteration of the Copyright Act.  Trademarks are used to protect the integrity of the designers’ brands.  Patents are useful for some fashion designs, although due to the lengthy application and registration process, the need for a patent is often obsolete by season’s end.

The proposed pieces of legislation to-date have tried to provide protection for fashion design under the Copyright Act, calling for a three year term of protection for original articles of apparel.  Under these proposed bills, the standard for copyright infringement would be articles which are “substantially similar” containing only minor or trivial differences. 

This standard has caused concerned across a wide spectrum of fashion designers, from innovative designers to the more conservative designers, for its practical challenges in enforcement.  Fashion is a collective effort of designers who receive inspiration from all aspects of their daily lives, generations past, and other designers.  An essential element in fashion is recycling and renovating.  Therefore, designers are not only concerned about protecting their own designs, but also the risks associated with their own designs in the future.  

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Going banana over a Banana Design

After exchanging a couple of cease & desist letters with each other, The Velvet Underground (“VM”), a rock band sued The Andy Warhol Foundation for the Visual Arts (“Warhol Foundation”) over a banana image designed by artist Andy Warhol for VM’s debut album, “The Velvet Underground & Nico (the “Banana Design”).

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America's Next Top Model . . . Guidelines

Reposted from Law à la Mode, Edition 6 - Summer 2012

By Alexander S. Birkhold (New York)

The recent formation of the Model Alliance, an organization seeking to enforce and expand existing legal protections for models in the United States, has prompted increased US scrutiny of employment and image rights issues in the fashion industry.

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Law à la Mode, Edition 6 - Summer 2012

JUNE 2012

 

Welcome to the Summer edition of DLA Piper’s Law à la Mode, the industry e-magazine which is brought to you by our Fashion, Retail & Design Group.  Please click here to view the e-magazine or here to view as a PDF.

With the world's eyes on London this Summer, this edition has been complied by DLA Piper's London editorial team.  Putting our British fashion-foot forward, we explore DLA Piper's recent collaboration with Central St Martins College of Arts and Design, as well as considering "When is a free handbag considered a bribe?" under the UK's new and pervasive Bribery Act.  Moving further afield, we take a look at the European Commission’s ambitious plans for the European digital marketplace, and our Istanbul colleagues introduce us to the opportunities (and risks) of using Turkey as a manufacturing base.  Our US team explore new guidelines for working with models, while our team in Sydney has some top tips to keep in mind when opening an online store.  This edition also includes all our regular features, including "A Word from the Industry's Mouth" where we meet Victoria Chang, Belgian lawyer turned Fashion blogger. Finally, following on from our special edition of Law à la Mode to mark the 134th INTA Annual Meeting in Washington, DC, we give you an insight into our exciting INTA event: "Around the retail world in sixty minutes: Reflecting on the top branding issues for retailers in 2012".

We do hope that you enjoy this Summer edition of Law à la Mode.  If you have any comments please get in touch with the Fashion, Retail and Design Group via our email: fashion@dlapiper.com.

DLA Piper’s global Fashion, Retail and Design Group is made up of lawyers from around the globe, who combine legal expertise with a passion for the fashion, retail and design sectors.

Next Steps After ICANN's Big Reveal: Identifying the .Threats

Reproduced with permission from Electronic Commerce & Law Report, (June 13, 2012). Copyright 2012 by The Bureau of National Affairs, Inc. (800-372-1033) <http://www.bna.com>

NEW TOP-LEVEL DOMAINS

The Internet Corporation for Assigned Names and Numbers will post June 13 a list of over 1,900 applications for new generic top-level domain names, following years of debate and months of delays. BNA interviewed nearly a dozen attorneys in the days leading up to the big reveal, asking what they will be looking for on “reveal day,” and for tips and insights for brand owners of all locations, sizes, and budgets.

Trademark infringement is not the only issue brands will need to watch. Other matters to explore include: Did a competitor apply for a “.industry” domain? If so, can your business register a second-level domain, for a reasonable cost? Will the competitor have access to sensitive information if you decide to register a second-level domain for a yet-to-be-publicized product? Will proposed domains that could attract infringers have adequate WHOIS data verification practices to enable IP owners to identify second-level registrants? What about steps to prevent abuses in provocative domains like the anticipated “.sucks” destination?

 

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Reveal day coming soon for new gTLD applications: is someone else after your name?

Intellectual Property and Technology Alert

Gina Durham

Over the past several months, the Internet Corporation for Assigned Names and Numbers (ICANN) has been accepting applications for the new generic top-level domain (gTLD) program.

This program allows organizations to own their own top-level domain extension and aims to greatly proliferate the number of available domain extensions beyond the limited number of extensions, such as “.com” and “.org,” to which Internet users are accustomed. With a few exceptions, an organization could have applied to have almost anything to the right of the dot, including its own company brand name or a generic term.

In a couple of weeks, the public will be able to review, for the first time, the list of gTLDs for which companies have applied. In advance of the official reveal date, a number of organizations are now announcing the subject of their applications. Google has announced that it applied for “.google,” “.docs,” “.youtube,” and “.lol.” The CUNA (Credit Union National Association) has announced that it applied for “.creditunion.”

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Beijing Friendship Hotel & Renmin University of China Host US-China IP Adjudication Conference

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Beijing Friendship Hotel, along with Beijing's Renmin University of China, hosted the United States-China Intellectual Property Adjudication Conference. Ann Ford (Washington, DC), along with other DLA Piper partners including Yan Zhao (Shanghai), Ed Chatterton (Hong Kong), and Beni Surpin (San Diego) attended the Conference. DLA Piper Partner and IPT leader John Allcock moderated a key session on "Enforcement of Patent Judgments."

DLA Piper attends the United States-China Intellectual Property Adjudication Conference

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A group of us from our DLA Piper IPT group around the world, including those from Hong Kong, San Diego and Washington, DC are in Beijing, China attending the United States-China Intellectual Property Adjudication Conference. Yesterday, several top Chinese judicial and government leaders joined Gary Locke, U.S. Ambassador to the PRC, Judge Randall Rader, Chief Judge to the U.S. Court of Appeals for the Federal Circuit and David Kappos, Under Secretary of Commerce for IP, Director of the U.S. Patent and Trademark Office to talk about our shared goal of IP enforcement. Key issues will be discussed in the areas of trademark, patent and copyright. The Chinese press came out in force to cover the opening ceremony of the Conference and the judges and commissioners speaking there.

Lawyers Monday - Italian IP pills: the search and description order

Reposted from IPT Italy Blog 

AROUND THE RETAIL WORLD IN SIXTY MINUTES - AN INTA SPECIAL

By Rebecca Kay

This Tuesday, members of DLA Piper's Fashion, Retail and Design Group assembled in Washington with retail clients from around the globe, for a working lunch entitled "Around the retail world in sixty minutes: Reflecting the top branding issues for retailers in 2012". As well as being a fantastic opportunity to catch up with industry peers, the event was a fascinating insight into topical issues and concerns.

 

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TODAY IS WORLD IP DAY

World Intellectual Property Organization (WIPO) Director General Francis Gurry said the day “is an opportunity to celebrate the contribution that intellectual property makes to innovation and cultural creation – and the immense good that these two social phenomena bring to the world.” WIPO posted a number of suggestions for celebrating World IP Day. This year’s theme is “visionary innovators – people whose innovations transform our lives.”

What are you doing to celebrate World IP Day?

 

Law à la Mode Edition 5 Spring 2012

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The Spring Edition of Law à la Mode is now available online: click here to view the e-magazine.

Tech Start-Up Legal Issues 3: Guarding Your IP Assets: Video

Reposted from YouTube

Mark Radcliffe, a partner at DLA Piper, talks with Bloomberg Law's Spencer Mazyck about protecting intellectual property for technology start-ups.

 

(Source: Bloomberg)

Viacom wins reversal in landmark YouTube case

reuters.bmp

Repost from Reuters

By Jonathan Stempel and Yinka Adegoke

Thu Apr 5, 2012 3:48pm EDT

(Reuters) - A U.S. appeals court dealt Google Inc a major defeat by reviving lawsuits by Viacom Inc, the English Premier League and various other media companies over the use of copyrighted videos on Google's YouTube service without permission.

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Copyright Suits Over USPTO Apps Face Uphill Battle

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By Ryan Davis

Law360, New York (March 05, 2012, 10:40 PM ET) -- Law firms that use academic articles in patent applications have little to fear from recent lawsuits alleging the use constitutes copyright infringement, attorneys say.

American Institute of Physics and John Wiley & Sons Inc. sued Schwegman Lundberg & Woessner PA and McDonnell Boehnen Hulbert & Berghoff LLP on Wednesday, alleging that the major patent law firms infringed their copyrights by submitting journal articles to the U.S. Patent and Trademark Office and making copies for internal use.

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PIRATE BAY RUNS AGROUND IN ENGLISH WATERS

By Ruth Hoy, John Wilks, and Nick Edbrooke

On 20 February 2012 the UK High Court issued a decision relating to the infamous "Pirate Bay" website. The decision provides a useful example to copyright owners of how to combat online piracy, especially where the infringer eludes UK proceedings by operating from abroad. It is the first case where the UK courts have been asked to award injunctions against ISPs in respect of a Peer to Peer network using the popular Bittorrent file sharing protocol (as opposed to other file exchange protocols).

 

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Peter Frampton is the latest artist to sue for unpaid digital music royalties

Reposted from DLA Piper's Media Intelligence Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Peter Frampton has filed a lawsuit against Universal Music Group ("Universal Music") in respect of unpaid music royalties.

Peter Frampton filed a suit on 23 December 2011 against record label Universal Music for half a million pounds worth of unpaid music royalties and unspecified damages, making him the latest artist to make a claim against a record label in respect of digital royalties.

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HarperCollins sue Open Road for copyright infringement

Reposted from DLA Piper's Media Intelligence Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

HarperCollins Publishers LLC ("HarperCollins") has filed a law suit against digital publisher Open Road Integrated Media ("Open Road") for copyright infringement in relation to the e-book rights to the children's book, 'Julie of the Wolves' (the "Work").

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Marvel wins dispute over ownership of Ghost Rider rights

Reposted from DLA Piper's Media Intelligence Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

A federal judge has ruled against the creator of Ghost Rider in a battle for ownership rights of the character, ruling that he gave up all such rights to his employer, Marvel Entertainment LLC ('Marvel').

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Not SO(PA) Fast: Backing Away From PIPA and SOPA?

Lawmakers appear to be backing away from the PROTECT IP Act (PIPA) and Stop Online Piracy Act (SOPA) in the wake of this week’s widespread Internet protest.

As previously reported, a number of the Web’s highest profile sites were blacked out or otherwise unavailable on Wednesday in opposition to the legislation. The bills, which were designed to combat foreign-based piracy of digital content, but which opponents claim would have wider undesirable consequences for Internet businesses and consumers, now appear to be dead in both the House and Senate.

Senate Majority Leader Harry Reid (D-NV) today canceled the vote on PIPA, which was previously scheduled for January 24. Shortly thereafter, at the urging of Speaker of the House John Boehner (R-OH), House Judiciary Committee Chairman Lamar Smith (R-TX) indicated that SOPA would be moved to the back burner.

With the future of SOPA and PIPA as we know them now in doubt, it remains to be seen whether alternative legislation such as the OPEN Act will gain traction, or whether reworked versions of the bills will resurface in the House and Senate at some future date. Of course, we will be closely monitoring further developments as the occur.

UK Government publishes consultation on copyright

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

The consultation following up recommendations in the Hargreaves Review outlines Government plans to improve copyright laws.

The consultation, which will run for 14 weeks and conclude on 21 March 2012, is in line with the Government's "response" to the Hargreaves Review of Intellectual Property and Growth ("Hargreaves Review") (for more information on the Hargreaves Review please refer to our May 2011 client alert here).

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The OPEN Act: Another Legislative Option to SOPA and PIPA

Undoubtedly today’s widespread Internet protest, which has darkened web sites ranging from Wikipedia to reddit to Flickr, has raised public awareness of the looming legislative and public relations battles associated with the Stop Internet Piracy Act (“SOPA”) and the Protect IP Act (“PIPA”), which are currently under consideration in the House and Senate, respectively. While the debate over the merits of these largely similar bills is still heating up (a vote on PIPA is expected as early as January 24), Congressman Darrell Issa (R) of California has announced plans to introduce competing legislation in the form of the Online Protection and Enforcement of Digital Trade Act (“OPEN Act”).

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Sites on Their SOPA-Boxes: Major Sites Close For Business In Protest Against Pending Legislation

As you may have noticed, today some of the most-visited websites on the Internet are blacked out, unavailable, or otherwise focusing on protesting currently-pending legislation in the United States that may impact many businesses and how they operate on the Internet. Specifically, popular sites such as Wikipedia, Craigslist, and BoingBoing are wholly unavailable, and others, such as Google, Wordpress, and Amazon, are prominently featuring commentary on the PROTECT IP Act (PIPA) and the Stop Online Piracy Act (SOPA), which are currently pending in the Senate and House, respectively.

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Retroactive Copyright Protection for Foreign Works Upheld

Follow up post to SUPREME COURT WILL DECIDE CONSTITUTIONALITY OF REMOVING WORKS FROM THE PUBLIC DOMAIN

By Tom Zutic and John Nading

In a 6-2 decision today in Golan, et al. v. Holder, et al., the U.S. Supreme Court upheld U.S. Copyright protection for foreign works which had fallen into the public domain prior to the U.S. joining the Berne Convention for the Protection of Literary and Artistic Works in 1989See Slip Opinion.  Under the Berne Convention, signatories agree to treat authors from fellow signatory countries as they would treat their own.  

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Google Books case: Google files motion to dismiss plaintiffs

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Google has filed a motion to dismiss the Authors Guild and the American Society of Media Photographers as plaintiffs in the Google Books copyright infringement claim.

The long running US Google books case emerged out of two separate law suits: one filed by the American Authors Guild ("the Authors Guild") on behalf of authors and the other by the Association of American Publishers along with five separate publishers (for more details please see the April 2011 and October 2011 editions of Media Intelligence here and here).

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Global Developments Regarding the Anti-Counterfeiting Trade Agreement

Reposted from DLA Piper's Law à la Mode Edition 4 - Winter 2011

By:  Michael K. Barron, Sarah Phillips and Nadea Taylor (Boston and London)
“AdWords,” the paid, subscription-based Google referencing service which allows users to advertise their companies alongside Google search results, has recently been the subject of much legal scrutiny.  In late September, the European Court of Justice (ECJ) gave a preliminary ruling on questions referred to it by the English High Court in the case between Interflora and Marks & Spencer (“M&S”), regarding the purchase by M&S of the Google AdWord “Interflora” and other similar AdWords. 
In answering the questions referred to it, the ECJ repeated much of the recent jurisprudence in this area, in particular from the Google France case.  Previous cases established that purchasing a third parties’ trademark as an AdWord would only amount to trademark infringement if such use would have an adverse effect on one of the functions of the trademark.  
The ECJ gave the following guidance on how national courts should assess whether the use by a third party of a sign identical with a trademark in relation to identical goods or services has an adverse affect on one of the functions of the trademark:

By: Gina Durham and Erin Wright Lothson (Chicago)

 

Those involved in the fashion and retail industries are well aware of the challenges associated with combating the global proliferation of commercial-scale counterfeiting and piracy.  With legal rights and remedies often varying on a country-by-country basis, enforcement of intellectual property rights on an international scale can often be fraught with unexpected hurdles and inconsistent outcomes.  The Anti-Counterfeiting Trade Agreement (“ACTA”) aims to change that.

On October 1, 2011, eight countries signed ACTA, namely Australia, Canada, Japan, Morocco, New Zealand, Singapore, South Korea and the U.S.  A signing ceremony was held in Tokyo by the Government of Japan.  Representatives of the E.U., Mexico, and Switzerland attended the ceremony and confirmed their continuing support for ACTA.  Those three sovereignties are in the process of finalizing domestic procedures in preparation to sign, and their signatures are expected by May 1, 2013.  Collectively, these eleven countries represent more than half of the world’s trade.

 

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For the Love of Red . . . Soles The Louboutin - YSL Shoe Saga Continues

Reposted from DLA Piper's Law à la Mode Edition 4 - Winter 2011

By:  Michael K. Barron, Sarah Phillips and Nadea Taylor (Boston and London)
“AdWords,” the paid, subscription-based Google referencing service which allows users to advertise their companies alongside Google search results, has recently been the subject of much legal scrutiny.  In late September, the European Court of Justice (ECJ) gave a preliminary ruling on questions referred to it by the English High Court in the case between Interflora and Marks & Spencer (“M&S”), regarding the purchase by M&S of the Google AdWord “Interflora” and other similar AdWords. 
In answering the questions referred to it, the ECJ repeated much of the recent jurisprudence in this area, in particular from the Google France case.  Previous cases established that purchasing a third parties’ trademark as an AdWord would only amount to trademark infringement if such use would have an adverse effect on one of the functions of the trademark.  
The ECJ gave the following guidance on how national courts should assess whether the use by a third party of a sign identical with a trademark in relation to identical goods or services has an adverse affect on one of the functions of the trademark:

By: Radiance A. Walters (Washington, DC)

Red-soled stilettos for only $39.99?  French luxury shoe designer Christian Louboutin continues the fight to protect its iconic “Chinese red” soles.  This past August, a U.S. federal district court denied a preliminary injunction against Yves Saint Laurent (YSL) and issued a decision that questioned the validity of Louboutin’s red-sole trademarkOn October 17, 2011, Louboutin’s lawyers appealed that decision to the U.S. Court of Appeals for the Second Circuit.  Shortly thereafter, premier jeweler Tiffany & Co. filed an amicus brief in support of Louboutin, furthering the fight to protect color as a trademark.  The International Trademark Association (INTA) also filed an amicus brief on November 14, 2011 taking the position that the District Court erred in rejecting the U.S. presumption of validity attendant to Louboutin’s federal trademark registration.  Further, INTA argues that the District Court incorrectly construed the Louboutin’s registration as a broad claim to the color red instead of the narrower claim to “lacquered red sole on footwear,” which is what the registration actually covers.  The Court of Appeals is left with the daunting task of determining whether and when color may function as merely a design element versus a source-identifying trademark.  

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U.S. Fashion Copyright Protection Still in a State of Limbo

By: Job Seese (New York)

Our Spring 2011 issue discussed a pending U.S. legislative bill that would expand copyright protection to fashion designs – something that generally is not available under existing U.S. law.  Known as the Innovative Design Protection and Piracy Prevention Act (IDPPPA), the bill was first introduced in the Senate in August 2010.  However, the bill was never taken up by the full Senate and effectively died at the end of that Congressional session.  Currently, a legislative bill of the same name is pending before the U.S. House of Representatives Subcommittee on Intellectual Property, Competition and the Internet.  

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EMEA's December Trademarks and Design Newsletter

This e-newsletter is written by the DLA Piper Trademarks team. For more information about the articles or the trademark services of DLA Piper, please contact trademarkemea@dlapiper.com.

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Law à La Mode - Winter 2011 Edition

LALM cover winter.jpgDLA Piper's Fashion Retail Design Group recently published Law a la Mode - Edition 4 Winter 2011, a legal fashion-style magazine that is distributed to clients and friends of the firm worldwide.  Law a la Mode has a revolving editorialship and Edition 4 is the first to be edited by the U.S. offices.

Members of the U.S. editorial board include Ann K. Ford, Gina Durham, Tamar Duvdevani, Kiran N. Gore, Melissa Reinckens, Debbie Rosenbaum, Michelle Schaefer, Radiance A. Walters, and Job Seese (New York, Washington DC, and Chicago).  

The magazine is available here.

We welcome your thoughts and comments on our latest edition.  

 

 

UK signs agreement on intellectual property and growth with Brazil

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Ofcom has cleared Al Jazeera English channel ("Al Jazeera") for its broadcast of "The Palestine Papers" after a complaint of unfair treatment by the Chief Negotiator of the Palestine Liberation Organisation ("PLO").
"The Palestine Papers", a four-part documentary series broadcast on Al Jazeera, examined "leaked" diplomatic documents relating to the Middle East peace process. The series criticised the role played by Dr Saeb Erakat, the Chief Negotiator of the PLO, a number of times. This prompted Dr Erakat to complain of unfair treatment and unwarranted infringement of privacy on behalf of both himself and the PLO.
The complaint, amongst other things, argued that important contextual information was deliberately omitted so that viewers could not properly understand the subjects discussed during the negotiation scenes and that the programme broadcast details of confidential documents that were stolen from Dr Erakat's office in breach of confidentiality and privacy.
In response to these particular complaints, Al Jazeera stated that the programme makers took reasonable care and carried out considerable research to ensure that all material facts were presented fairly. Al Jazeera also argued that, in any case, any alleged breach was warranted as the programme dealt with public affairs of great political and international importance and there could be no doubt about the importance of investigating and criticising the decisions made by Dr Erakat and other senior negotiators. Therefore, according to Al Jazeera, no consent was required from anyone within the PLO prior to broadcast.
Ofcom found that material facts in relation to the negotiations were not presented or omitted in a way that led to unfair treatment of Dr Erakat and the infringement of privacy in relation to obtaining and using the confidential document was warranted due to the significant public interest in the issues covered by the documentary series.

UK Business Secretary Dr Vince Cable and Brazilian Minister Fernando Pimentel have signed a Memorandum of Understanding to improve cooperation between the UK and Brazil on intellectual property issues ("the Agreement").

Whilst attending the sixth annual Joint Economic Trade Committee ("JETCO") in London on 8 November 2011, Vince Cable and Fernando Pimentel signed the Agreement to cement ties between the UK and Brazil in relation to intellectual property. The Agreement confirms a commitment from both the UK and Brazil to work closely together to ensure that the intellectual property systems in the two countries promote innovation and growth.

The Agreement aims to make it both easier and cheaper for UK businesses to manage their intellectual property in Brazil and follows similar agreements signed by the UK with Nigeria and Mexico this year.

BT requested to block The Pirate Bay website

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Ofcom has cleared Al Jazeera English channel ("Al Jazeera") for its broadcast of "The Palestine Papers" after a complaint of unfair treatment by the Chief Negotiator of the Palestine Liberation Organisation ("PLO").
"The Palestine Papers", a four-part documentary series broadcast on Al Jazeera, examined "leaked" diplomatic documents relating to the Middle East peace process. The series criticised the role played by Dr Saeb Erakat, the Chief Negotiator of the PLO, a number of times. This prompted Dr Erakat to complain of unfair treatment and unwarranted infringement of privacy on behalf of both himself and the PLO.
The complaint, amongst other things, argued that important contextual information was deliberately omitted so that viewers could not properly understand the subjects discussed during the negotiation scenes and that the programme broadcast details of confidential documents that were stolen from Dr Erakat's office in breach of confidentiality and privacy.
In response to these particular complaints, Al Jazeera stated that the programme makers took reasonable care and carried out considerable research to ensure that all material facts were presented fairly. Al Jazeera also argued that, in any case, any alleged breach was warranted as the programme dealt with public affairs of great political and international importance and there could be no doubt about the importance of investigating and criticising the decisions made by Dr Erakat and other senior negotiators. Therefore, according to Al Jazeera, no consent was required from anyone within the PLO prior to broadcast.
Ofcom found that material facts in relation to the negotiations were not presented or omitted in a way that led to unfair treatment of Dr Erakat and the infringement of privacy in relation to obtaining and using the confidential document was warranted due to the significant public interest in the issues covered by the documentary series.

A coalition led by the BPI, a music industry body representing a coalition of Hollywood film studios, publishers and record companies, has requested that BT and several other UK ISPs block one of the largest illegal filesharing sites in the world.

The request by the BPI represents the first to be made since the landmark Newzbin2 ruling in August 2011 (for details see the August 2011 edition of Media Intelligence here and the November 2011 edition here) which ordered BT to block its internet subscribers' access to the website of Newzbin2, another illegal filesharing service, using BT's "CleanFeed" filtering technology. Along with a written request to BT made earlier this month, the BPI has also requested that Virgin Media, O2, Talk Talk, Orange and Sky voluntarily block access to The Pirate Bay's website. The Pirate Bay has already been subject to blocking actions in several other jurisdictions around the world.

Meanwhile, following the Newzbin2 ruling, the Motion Picture Association (MPA), the organisation responsible for bringing the Newzbin2 case against BT, is now looking for similar blocking action in respect of Newzbin2 to be taken by the UK's other major ISPs. On 9 November, the MPA confirmed that it had written to Virgin Media, Sky and TalkTalk and sparking interest in whether there might be a move towards another formal court order in the coming weeks.

SAS Institute Inc. -v- World Programming Ltd

DLA PIPER IPT ALERT

By Ruth Hoy and Claire Bennett

Advocate General Bot delivered his Opinion in SAS Institute Inc. -v- World Programming Ltd on 29 November 2011.  The judgment of the full Chamber of the CJEU is not expected until sometime in 2012, and it is not yet known whether the Court will follow his Opinion.  In the meantime, the Opinion gives some useful insight for programmers who are trying to create computer programs that are interoperable with programs of others and studying and testing the functionality of programs.

Advocate General Bot delivered his Opinion in SAS Institute Inc. -v- World Programming Ltd on 29 November 2011.  The judgment of the full Chamber of the CJEU is not expected until sometime in 2012, and it is not yet known whether the Court will follow his Opinion.  In the meantime, the Opinion gives some useful insight for programmers who are trying to create computer programs that are interoperable with programs of others and studying and testing the functionality of programs.

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CJEU decision in SABAM -v- Scarlet

DLA PIPER IPT ALERT

By Ruth Hoy and Patrick Van Eecke

As was the case in Newzbin 2, a national court, in deciding whether to order an ISP to implement technical measures to deal with copyright infringement on the part of the ISP's customers, will need to consider whether the proposed measures are proportionate.  In doing so, it will need to strike a fair balance between the protection of intellectual property and that of a freedom to conduct a business enjoyed by ISPs.
On 24 November 2011, the CJEU gave its judgment in a case brought by SABAM, a Belgian collecting society, against Scarlet Extended SA (formerly Tiscali SA).  
In the national court proceedings, SABAM, which represents the interests of copyright owners in musical compositions had brought action to address the problem of P2P file sharing of digital musical files by Scarlet's customers.  The Court of First Instance in Brussels accepted that the activities on Scarlet's customers inevitably involved copyright infringement of  works within SABAM's repertoire, and that it had jurisdiction to order the prevention of such activities.  It appointed an expert to look into the feasibility of certain technical measures which could be implemented by Scarlet.
Following the report of the Court appointed expert, and in accordance with its powers under Article 87(1) of the Belgian Law of 30th June 1994 on Copyright and Rights, as amended by the Law of 10 May 2007, the Belgian court ordered that Scarlet should bring an end to the infringements by making it impossible for its customers to send or receive files containing a musical work in SABAM's repertoire by means of P2P software, in particular by using Copysense by Audible Magic.
The decision was appealed by Scarlet, who argued that: 
The decision was contrary to EU laws on privacy and freedom of expression; 
The decision was contrary to Article 12 of the E-Commerce Directive (which provides immunity to service providers who assist transmission within a communications network); and 
The decision was contrary to Article 15 of the E-Commerce Directive (which provides that "Member States shall not impose a general obligation on providers to monitor the information that they transmit or store nor a general obligation actively to seek factors or circumstances indicating legal liability").
In considering the case, the Brussels Cour d-Appel referred two questions to the CJEU, questioning whether it was contrary to EU law to require an ISP to introduce such a wide-ranging injunction.
In its judgment, the CJEU has confirmed that the injunction in the SABAM case went too far and that it would be contrary to EU law for a national court to order such a wide-ranging injunction which was not limited by (i) time; (ii) cost;  (iii) technical effectiveness of the measure proposed; (iv) type of communication, without distinguishing between lawful and unlawful content.  In particular, the Order must not go so far as to actively require ISPs to monitor the data of each of its customers in order to prevent any future infringement of IP rights. 

As was the case in Newzbin 2, a national court, in deciding whether to order an ISP to implement technical measures to deal with copyright infringement on the part of the ISP's customers, will need to consider whether the proposed measures are proportionate.  In doing so, it will need to strike a fair balance between the protection of intellectual property and that of a freedom to conduct a business enjoyed by ISPs.

On 24 November 2011, the CJEU gave its judgment in a case brought by SABAM, a Belgian collecting society, against Scarlet Extended SA (formerly Tiscali SA).

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Law à La Mode - Autumn Edition

LALM fall cover.bmpThe Autumn Edition of Law à la Mode is now available online: click here to view the e-magazine.

With a Belgian editorial team for this edition, we wanted to give a flavour of an up and coming fashion capital in the heart of Europe. With a mix of cultures from Europe and beyond, Belgium is fast becoming a key location for new design and innovation in fashion. More than just moules, frites and beer, we are fortunate enough to have some of the most renowned fashion academies in Antwerp and Brussels generating internationally known designers such as Dries Van Noten, Ann Demeulemeester, Martin Margiela and Olivier Theyskens. 
As Belgium is also the hub of EU policy development and creation, we share with you our thoughts on the trends around policy making - steering you through the agenda and potential activity (page 4).
Sustainability being the buzz word of the moment in relation to product development, we have an insight from our UK team on the interplay between the sustainability debate and the fashion industry (page 5).
In the wake of the global financial crisis, this season our US team evaluates what a shift in the wider economic market has meant for franchising activities in the US (pages 6-7), and we discuss the impact of the climate on the UK retail market (pages 12-13).
With more of a focus than ever on the ability to effectively market products to consumers, our experts analyse the finer details of production techniques for cosmetic advertising (page 8) and present our new 10 commandments for online retailers originating from the EU (pages 10-11). We also look into the new EU Regulation on textile labelling, which will impact on all designers (page 9), and a recent CJEU judgement focussed on the liability of online market places where users offer infringing goods (page 14). 
In our regular "A word from the Industry's Mouth" we share an in-depth insight from a leading Chinese brand hoping to broaden its global fashion image (pages 15-16). And last, but not least, our series devoted to fashion and social media in which our US team evaluates the developing role of social media in the fashion retail space (pages 17-18).
If you have any comments please get in touch with the FRD Group via our email: fashion@dlapiper.com
We hope that you enjoy browsing through this season's collection of articles.

With a Belgian editorial team for this edition, we wanted to give a flavour of an up and coming fashion capital in the heart of Europe. With a mix of cultures from Europe and beyond, Belgium is fast becoming a key location for new design and innovation in fashion. More than just moules, frites and beer, we are fortunate enough to have some of the most renowned fashion academies in Antwerp and Brussels generating internationally known designers such as Dries Van Noten, Ann Demeulemeester, Martin Margiela and Olivier Theyskens. 

As Belgium is also the hub of EU policy development and creation, we share with you our thoughts on the trends around policy making - steering you through the agenda and potential activity (page 4).

Sustainability being the buzz word of the moment in relation to product development, we have an insight from our UK team on the interplay between the sustainability debate and the fashion industry (page 5).

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UK signs agreement on intellectual property and growth with Mexico

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

The UK Intellectual Property Office ("IPO") has signed a landmark agreement with the Mexican Institute of Industrial Property ("IMPI") to improve cooperation between the two nations on issues of copyright, patents, trade marks and designs.
 
The agreement aims to support the growth of UK businesses operating in Mexico and follows recommendations made in the Hargreaves Report that the UK should continue to pursue international interests in intellectual property.
UK Minister for Intellectual Property, Baroness Wilcox, said: "in the midst of a globalised era, it is imperative for Governments to jointly collaborate on common understandings such as innovation. We are certain that this partnership will enrich our IP systems, and will benefit IP stakeholders in both economies".

The UK Intellectual Property Office ("IPO") has signed a landmark agreement with the Mexican Institute of Industrial Property ("IMPI") to improve cooperation between the two nations on issues of copyright, patents, trade marks and designs.

The agreement aims to support the growth of UK businesses operating in Mexico and follows recommendations made in the Hargreaves Report that the UK should continue to pursue international interests in intellectual property.

UK Minister for Intellectual Property, Baroness Wilcox, said: "in the midst of a globalised era, it is imperative for Governments to jointly collaborate on common understandings such as innovation. We are certain that this partnership will enrich our IP systems, and will benefit IP stakeholders in both economies".

BT and TalkTalk granted leave to appeal Digital Economy Act decision

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Internet Service Providers ("ISPs") BT and TalkTalk have been granted permission to appeal against the High Court's April 2011 ruling in their judicial review proceedings in relation to the Digital Economy Act.

The Digital Economy Act ("the Act") was passed by the Government in April 2010 with a view to protect creative industries such as music and film-making by introducing measures to tackle online copyright infringement. Under the Act, ISPs would be compelled to take an active role against pirates by, for example, sending out warning letters to alleged illegal downloaders.
BT and TalkTalk, two of the UK's largest ISPs, brought a judicial review of the Act in April 2011, claiming that the measures to tackle online copyright infringement were not only disproportionate but were also not compliant with EU law. However, the High Court ruled in favour of the Government, recognising the measures as both lawful and proportionate (please see the article in our April 2011 issue of Media Intelligence here).
After failing to obtain permission to appeal against the decision in June 2011, BT and TalkTalk finally succeeded on 7 October 2011. Lord Justice Lewison granted leave to appeal on four of the five grounds addressed in the initial case. The ISPs argue that the Act is not compliant with the following European Directives: the Technical Standards Directive, the Authorisation Directive, the E-Commerce Directive and the Privacy and Electronic Communications Directive. The ISPs accepted the High Court's opinion that there is a very high threshold of proving disproportionality and therefore have not sought appeal on their original claim that the act "represents a disproportionate interference with the rights of internet service providers, subscribers and internet users and with the concept of freedom of expression".
The hearing at the Court of Appeal is likely to be held next year, meaning the full implementation of the Act is likely to be further delayed. BT's challenge to the Act coincides with separate action taken by Hollywood studios under the Copyright, Designs and Patents Act 1988, under which BT has been ordered to block access to a website that facilitates online infringement of copyright (please refer to the next item in this newsletter here).

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IPO signs copyright agreement with Nigerian counterparts

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

The Intellectual Property Office has signed a landmark copyright agreement with its counterparts in Nigeria in an attempt to improve international cooperation on copyright issues between the two nations.

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The BBC is suing Berlusconi for "copying" Strictly Come Dancing

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

BBC Worldwide's lawyers are suing Berlusconi's Italian television network claiming that broadcaster Mediaset, which is owned by the Italian Prime Minister's family,  has copied the show's format.
The BBC is preparing a joint action with Rai, the Italian public broadcaster, against Mediaset. A BBC-licensed version of Strictly Come Dancing, namely Dancing With The Stars, has been running on Rai for the last six years. However, Mediaset now plan to launch a new, rival show on its Canale 5 channel. The new show, entitled 'Balia!' is said to be based on a South American dance show, 'Bailando Por Un Sueno', which translates as Dancing For A Dream.
Mediaset has denied copying the BBC's format and has put forward key differences between the shows, including the fact that the celebrities in Mediaset's version are partnered with amateur dancers as opposed to professional ones.
Pier Silvio Berlusconi, the Prime Minister's son and deputy chairman of Mediaset, stated, in defence of the show's format, that "the dance talent show is a format that works on commercial television everywhere in the world. We certainly wouldn't claim that the only reality format is Big Brother".
However, a BBC spokesman has expressed the importance of its Dancing With The Stars format: "It has been named as the world's most successful reality TV format and has been licensed to over 35 international broadcasters...it is very important to BBC Worldwide and its international licensees that the format is protected from infringement".

BBC Worldwide's lawyers are suing Berlusconi's Italian television network claiming that broadcaster Mediaset, which is owned by the Italian Prime Minister's family,  has copied the show's format.

The BBC is preparing a joint action with Rai, the Italian public broadcaster, against Mediaset. A BBC-licensed version of Strictly Come Dancing, namely Dancing With The Stars, has been running on Rai for the last six years. However, Mediaset now plan to launch a new, rival show on its Canale 5 channel. The new show, entitled 'Balia!' is said to be based on a South American dance show, 'Bailando Por Un Sueno', which translates as Dancing For A Dream.

Mediaset has denied copying the BBC's format and has put forward key differences between the shows, including the fact that the celebrities in Mediaset's version are partnered with amateur dancers as opposed to professional ones.

Pier Silvio Berlusconi, the Prime Minister's son and deputy chairman of Mediaset, stated, in defence of the show's format, that "the dance talent show is a format that works on commercial television everywhere in the world. We certainly wouldn't claim that the only reality format is Big Brother".

However, a BBC spokesman has expressed the importance of its Dancing With The Stars format: "It has been named as the world's most successful reality TV format and has been licensed to over 35 international broadcasters...it is very important to BBC Worldwide and its international licensees that the format is protected from infringement".

 

 

Performing artists to benefit from copyright extension to 70 years

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

EU ministers have adopted a Directive extending the term of protection for performers' copyright from 50 to 70 years.

The Directive, adopted at a meeting of the Council of Ministers on 12 September 2011, amends Directive 2006/116/EC on the term of protection of copyright and certain related rights.  It increases performers' rights in sound recordings and the rights of producers of sound recordings from 50 to 70 years from the date of first lawful publication or communication to the public.

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Authors Guild files lawsuit against a consortium of university libraries for copyright infringement

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

The copyright infringement suit filed in New York alleges "widespread and unauthorized reproduction and distribution of millions of copyright books" by five universities and the HathiTrust through cooperation agreements entered into with Google Inc.
The copyright infringement suit filed on 12 September 2011 by the Authors Guild, two international writers groups and eight authors, alleges that the universities and HathiTrust (a large-scale collaborative repository of digital content from research libraries) are violating copyrights by scanning, duplicating and distributing their books. The plaintiffs are particularly concerned by the plan by HathiTrust to make available a small number of 'orphan works', where no author or publisher can be located.

The copyright infringement suit filed in New York alleges "widespread and unauthorized reproduction and distribution of millions of copyright books" by five universities and the HathiTrust through cooperation agreements entered into with Google Inc.

The copyright infringement suit filed on 12 September 2011 by the Authors Guild, two international writers groups and eight authors, alleges that the universities and HathiTrust (a large-scale collaborative repository of digital content from research libraries) are violating copyrights by scanning, duplicating and distributing their books. The plaintiffs are particularly concerned by the plan by HathiTrust to make available a small number of 'orphan works', where no author or publisher can be located.

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Judge gives new life to Google digital books talks

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Manhattan Federal court Judge Denny Chin is still hopeful that Google Inc and authors and publishers groups could reach a settlement after their six-year legal dispute, allowing nine more months for talks.
The US Google books case, which emerged out of a US class action bought by US publishers against Google, is likely to continue into 2012 as Judge Denny Chin set a court schedule that extends the deadline for talks through to next year. The judge adopted the proposed pre-trial schedule at a follow-up status conference on 15 September 2011, after allowing the groups the summer to revise the proposed settlement that was rejected on 22 March 2011 (please see our previous article in the April 2011 issue of Media Intelligence here), just over a year after its final fairness hearing.
The proposed pre-trial schedule could take the case to trial by July 2012. Judge Chin stated that all parties could request assistance from the court or magistrate judge if they needed.
Notwithstanding this proposed schedule, the parties confirmed that settlement talks were progressing and they plan to continue to negotiate in order to resolve their differences. Judge Chin stated he was still hopeful they could reach a settlement before the new deadline.

Manhattan Federal court Judge Denny Chin is still hopeful that Google Inc and authors and publishers groups could reach a settlement after their six-year legal dispute, allowing nine more months for talks.

The US Google books case, which emerged out of a US class action bought by US publishers against Google, is likely to continue into 2012 as Judge Denny Chin set a court schedule that extends the deadline for talks through to next year. The judge adopted the proposed pre-trial schedule at a follow-up status conference on 15 September 2011, after allowing the groups the summer to revise the proposed settlement that was rejected on 22 March 2011 (please see our previous article in the April 2011 issue of Media Intelligence here), just over a year after its final fairness hearing.

The proposed pre-trial schedule could take the case to trial by July 2012. Judge Chin stated that all parties could request assistance from the court or magistrate judge if they needed.

Notwithstanding this proposed schedule, the parties confirmed that settlement talks were progressing and they plan to continue to negotiate in order to resolve their differences. Judge Chin stated he was still hopeful they could reach a settlement before the new deadline.

Did Beyoncé steal choreography for her "Countdown" video?

Pop diva Beyonce has been accused of stealing dance moves in her new music video "Countdown". Belgian Choreographer Anne Teresa De Keersmaeker claims that Beyonce plagarized dance moves from her original contemporary works without credit.  

Read more: http://www.dailymail.co.uk/tvshowbiz/article-2047520/Beyonc-accused-copying-choreography-new-Countdown-video.html

Google pressed to block copyright-infringing websites

Reposted from DLA Piper's Media & Sport Group Bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

The UK's Secretary of State for Culture, Media and Sport, has stated that search engines and ISPs should "make life more difficult" for sites breaching copyright laws.
Whilst detailing his vision of a new Communications Act at the Royal Television Society's Cambridge Convention, Culture Secretary Jeremy Hunt, reiterated the Government's support of the Hargreaves proposal to set up a new Digital Copyright Exchange.

The UK's Secretary of State for Culture, Media and Sport, has stated that search engines and ISPs should "make life more difficult" for sites breaching copyright laws.

Whilst detailing his vision of a new Communications Act at the Royal Television Society's Cambridge Convention, Culture Secretary Jeremy Hunt, reiterated the Government's support of the Hargreaves proposal to set up a new Digital Copyright Exchange.

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One size does not fit all: protecting trade secrets when drafting employment agreements

Reposted from Intellectual Property and Technology News, Issue 11, Q3 2011

ARTICLE
INTELLECTUAL PROPERTY AND TECHNOLOGY NEWS
Darius C. Gambino 
Tiffany Nichols 

By Darius C. Gambino and Tiffany Nichols

When companies form legal strategies to protect their IP assets and trade secrets, employment agreements are an essential part of the overall structure. Today’s work force is increasingly specialized, and companies extend across jurisdictions with different laws. In this competitive, potentially litigious environment, companies should consider customizing employment agreements for each position, and in some cases, for each individual employee, especially those in executive and leadership roles.

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US court rules music site is not responsible for investigating copyright infringement by users

From DLA Piper's Media and Sports Group e-newsletter 'Media Intelligence'

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

A New York District court has ruled that MP3tunes, a website which allows users to store online collections of music, is entitled to rely on safeharbours under the US Digital Millennium Copyright Act in respect of certain activities of its users.

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Is BSkyB's control of subscription pay-TV movie rights in the UK restricting competition?

From DLA Piper's Media and Sports Group e-newsletter 'Media Intelligence'

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

The Competition Commission has given a preliminary ruling that BSkyB's control over subscription pay-TV movie rights is restricting competition.

 

In a "Provisional findings report" published on 19 August, the Competition Commission has provisionally ruled that Sky's control over the acquisition and distribution of first subscription pay-TV window ("FSPTW", which window typically falls after theatrical release and DVD/EST/TVOD exploitation) movie content on pay TV adversely affects competition between pay-TV retailers.

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Introducing: INTELLECTUAL PROPERTY AND TECHNOLOGY NEWS - ASIA PACIFIC

Protecting Jewelry and Other Accessory Designs

Fashion designers and companies can seek to protect their jewelry and other accessory designs through copyright, trademark and/or design patent registrations. Copyrights, trademarks, and patents are separate and independent forms of law and protection; therefore, protection can be obtained in one or all of the three ways discussed in more detail below. 

 
First, a trademark registration protects jewelry and other accessory designs ("accessory" meaning handbags, belts, watches, hats, etc.) that are inherently distinctive or have acquired distinctiveness/secondary meaning in the marketplace. In other words, the design must function as a source identifier. For example, Gucci holds a U.S. registration (Reg. No. 3238962) covering wallets, purses, handbags, shoulder bags, clutch bags, tote bags and clothing apparel for its distinctive horse bit design pictured below.
                                                                                                                                   
                                                                                                                        
Trademark protection, of course, also extends to the product's name and appearance. The registration process typically takes about one year. 
 
Second, a copyright registration protects designs that are sufficiently creative and artistic. Copyrightable works include logos, artwork, or design elements that are stitched, imprinted or embossed onto fabric; and ornamental aspects of jewelry, watches, belts, and handbags. For examples, see Registration Nos. VA000111813 (artwork on handbags), VAu000699898 (belt and buckle collection) and VA0001664539 (Marquis Loop Necklace and Earring Set). Aspects that are not copyrightable include style, shape, cut, pattern or material of clothing articles and basic utilitarian aspects of jewelry, watches, belts, handbags and other accessories. On average, the registration process takes about three months to one year. 
 
Lastly, a design patent registration protects  the overall aesthetic appearance of a design (i.e., the ornamental aspects of jewelry, watches, belts, hats, handbags, rings, etc.). Specifically, the designs must be new and sufficiently different from all prior designs. For example, Louis Vuitton owns a design patent (Patent No. D466,689) for the "ornamental design for a handbag" and Tag Heuer owns a design patent for the "ornamental design for a watch" (Patent No. D413,815). The registration process takes about one to two years.
 
As a side note, utility patents, which protect how an object operates or functions (meaning, its functional/utilitarian features), usually cannot be used to protect jewelry or accessory designs unless the design includes some type of mechanical improvement. 

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British website owners targeted by US Immigration and Customs Enforcement

Reposted from DLA Piper's Media & Sport Group bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

British websites suspected of infringing US copyrights are being targeted by the US Immigration and Customs Enforcement (ICE) agency whether or not their servers are based in the US and whether or not there is another direct link to the country.


ICE has warned website owners that they could face extradition to the US on piracy charges if they have reason to believe they are infringing US copyrights. In addition, websites could be closed down.


Erik Barnett, ICE's assistant deputy director, warned that all '.com' or '.net' websites could be legitimately targeted if they were suspected of involvement in spreading pirated US films, TV or other media. These web addresses have their connections routed through Verisign, an internet infrastructure company based in Virginia, which ICE believes is an adequate connection to seek a US prosecution.


ICE has targeted not only those sites that directly host or stream pirated material, but also those that simply provide links to it. Barnett's comments follow the case of Richard O'Dwyer, a British student facing extradition for running TVShack.net, a web site which provides links to non-licensed streams of US films and TV shows. 

TV Catchup case referred to Court of Justice of the European Union

Reposted from DLA Piper's Media & Sport Group bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Mr Justice Floyd has referred to the Court of Justice of the European Union ("CJEU") the question of whether live streaming of television programmes over the internet is a "communication to the public" and therefore subject to copyright laws.


TV Catchup Limited ("TVC") operate an internet based live streaming service of broadcast television programmes, including films, in which the copyright is owned by broadcasters ITV, Channel 4 and Channel 5.  TVC's website allows members of the public to access live UK television on computers, games consoles and smart phones. There are over 50 channels available.


In November last year, with the threat of a copyright infringement action looming, TVC applied to the High Court for summary judgment against the broadcasters, on the basis that their claim would have no real prospect of success at trial.  TVC argued that in order to infringe copyright in a broadcast under section 20 of the Copyright, Designs and Patents Act 1988 ("CDPA 1988") ("communication to the public"), the alleged infringer's transmission must itself be a broadcast within the meaning of s.6 CDPA 1988.  Mr Justice Kitchin disagreed and the case proceeded to trial.


Last week, Mr Justice Floyd handed down the High Court's judgment.  He provisionally agreed with the claimants' contention that TVC's streaming service is a "communication to the public" for the purposes of section 20 of the CDPA 1988, but considered that the principles set out in the leading CJEU authority on this point, the Rafael Hoteles case, did not go far enough to enable him to answer the question conclusively in the claimants' favour.  He therefore referred the question to the CJEU.


Floyd J. also addressed the issue of whether TVC had reproduced a "substantial part" of the films and broadcasts in its buffers and on the screens of users.  This issue is currently awaiting judgment by the CJEU in the Football Association Premier League v QC Leisure case, in relation to the screening of live foreign broadcasts of Premier League matches in pubs.  Pending that judgment, Floyd J. expressed the provisional view that TVC had reproduced a substantial part of the films in its buffers and onscreen, but not a substantial part of the broadcasts.  Questions on these issues will also be referred to the CJEU, but are likely to be conclusively determined much more swiftly by the Premier League judgment.


Floyd J. also held that final judgment on TVC's defence under section 28A of the CDPA (which permits in certain circumstances the making of temporary copies which are transient or incidental and an integral and essential part of a technological process, and which have no independent economic significance) should be deferred pending the outcome of the Premier League case; his provisional view is that the defence does apply to reproduction in the buffers ("it is reasonably clear that the reproductions in the buffers have no independent economic significance"), but he was less certain in relation to reproduction on users' screens.

Landmark ruling for database owners in relation to 'seeding' and 'substantial part'

By Simon LevineCatherine Beloff, DLA Piper United Kingdom

Simon Levine
Catherine Beloff

Beechwood House Publishing (t/a Binleys) v Guardian Products Limited & another [2011] EWPCC 22 

His Honour Judge Birss QC has handed down a landmark ruling in the Patents County Court, with positive and important implications for the protection and enforcement of sui generis database right. 

The claimant in this case publishes a database called Binleys Database of GP Practices, consisting of the names and addresses of individuals, such as practice nurses and doctors, associated with GP practices.  As is common practice amongst owners of large databases, Binleys 'seeds' the database.  Seeding involves including fictional dummy contacts (in this case, Binley's staff) and unique indicators within a database to enable the owner to monitor whether someone is using its data unlawfully.  Binleys finds out if someone is using data from its database because a letter will be sent to one of its seed addresses.

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Harry Potter plagiarism claim fails

Reposted from DLA Piper's Media & Sport Group bulletin

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

A £659 million damages claim against JK Rowling and her publisher, Bloomsbury, was struck out by the Court of Appeal after the claimant failed to meet the deadline for payment of security for costs.


The estate of the late author Adrian Jacobs had accused JK Rowling of copying substantial parts of the plot for the fourth Harry Potter book, "Harry Potter and the Goblet of Fire", from "The Adventures of Willy the Wizard - No 1 Livid Land", written by Jacobs in 1987.  Mr Jacobs' estate said the plot of Goblet of Fire copied elements of the story including the concept of a year long wizard contest.


Mr Jacobs' estate was required to pay approximately £1.5 million to the court as security against the likely costs to be incurred by JK Rowling and Bloomsbury should the case eventually go to trial.  The estate failed to meet the deadline to produce the first tranche of the money and the case was struck out.


This recent failure of the claimants in the English courts marks the second blow to the claim which has already been rejected by a court in the United States earlier this year. In her judgment in the US case, Judge Shira Scheindlin stated that any "serious comparison of the two [books] strains credulity".


More recently, Mr Justice Kitchin, who ordered the payment of security costs in March, expressed scepticism over the merits of any claim stating that he thought the claim had an ''improbable'' chance of success.  He also attacked the way in which the estate had conducted the litigation, stating individuals associated with the estate "have also engaged in what I think the defendants fairly describe as thinly veiled threats to publicise the allegation that Ms Rowling has engaged in plagiarism''.


Whilst the claim as been struck out in the English courts, Max Markson, spokesman for the estate, has not ruled out further litigation "in another country, another jurisdiction".

UK TO GET PARODY AND IPOD DEFENCES BUT NOT WIDE SITE BLOCKING POWERS

Last Wednesday, the UK Government gave its much-awaited response to the review of the UK intellectual property regime conducted by Professor Hargreaves earlier this year (see our earlier post here). They accepted all of Hargreaves' recommendations, which include in particular extending defences to copyright infringement, eg. by creating a format-shifting defence to legitimise people putting their music collection on their MP3 players. While many of these changes may be welcomed, it is far from clear how they would give the UK economy anything like the enormous boost (between £5 billion and £8 billion by 2020) that the Hargreaves review predicted.

At the same time, the UK government announced plans for its implementation of the controversial Digital Economy Act 2010, which include a decision to park implementation of a broad right which would enable copyright holders to force ISPs to block infringing websites.

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UK & Copyright Piracy: NEWZBIN2 TAKES ANOTHER BLOW

In a landmark ruling, the UK High Court has delivered its verdict in Round Two of Hollywood versus the Copyright Pirates – despite Newzbin2 not even taking part in the fight.

Ringside rules

Rights-holders have long sought an effective legal mechanism to reduce the scale of online piracy of copyright material by UK users. Rights-holders are often prevented from taking action against primary infringers because they locate themselves beyond the jurisdiction of the courts or use decentralised networks in order to distribute content.  On the other hand, taking action against individual consumers has never been the favoured option.  Internet service providers ("ISPs"), the rights-holders argue, are the gatekeepers that provide the facilities that allow UK users to infringe copyright on a massive scale.  Moreover, they are not a moving target and have the practical means to restrict access to sources of infringements.

This case turned on the application of section 97A of the Copyright, Designs and Patents Act 1988, which provides that the High Court has the power to grant an injunction against an internet service provider ("ISP") where the ISP has "actual knowledge of another person using their service to infringe copyright".  The section was adopted in order to implement Article 8(3) of the Information Society Directive (2001/29/EC): "Member States shall ensure that rightsholders are in a position to apply for an injunction against intermediaries whose services are used by a third party to infringe a copyright or related right".  However, despite having the potential to be a valuable weapon against infringers, the provision has long sat collecting dust, untested by rights-holders. 

Until now.

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UK Supreme Court Opens Door to Overseas Copyright Claims in UK Courts

By John Wilks and Damian Herrington, DLA Piper UK

In its first ever ruling on an intellectual property case, the UK's Supreme Court has decided in Lucasfilm v Ainsworth that the stormtrooper helmets used in the Star Wars films were not "sculptures", and thus were not protected by the English law of copyright.

Significantly, however, the Supreme Court also ruled that the infringement claims based on US copyright brought by Lucasfilm in respect of Mr Ainsworth's acts in the US were justiciable in the English courts, a ruling which could have wide-ranging implications for the ability of English courts to decide claims for acts taking place in foreign countries which infringe the copyright in those countries.  The case indicates that if a defendant is resident in England, the English courts will be prepared to deal with claims for infringement of foreign copyright.

Whether the decision leads to full scale forum shopping by copyright infringement claimants remains to be seen.  But it will give claimants a useful litigation option in cases where there is international infringement of copyright by an English-domiciled defendant.

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UK: HEADLINES PROTECTED BY COPYRIGHT, AND "MERELY BROWSING" NOT A DEFENCE

UK CLIENT ALERT

At the end of a month where the main item of UK news has been the news itself, the English Court of Appeal has confirmed that headlines may be copyright works in their own right, and it is not a defence for an internet user accessing copyright-protected content to say they were merely browsing the relevant web page.

The Court of Appeal gave the first instance judgment of Mrs Justice Proudman in this case (NLA v Meltwater) a very definite seal of approval, describing it as “clear, careful and comprehensive”.  

While this case was about newspaper headlines and article extracts, the expansive approach taken to the scope of literary copyright will be encouraging to anyone seeking to assert rights in very brief strings of words- jokes, straplines, product names and titles of books, songs, and films spring to mind in particular.  The vagueness of the Court's reasoning in this regard means it is, however, still difficult to determine where the borders of protection will fall for particular examples, but it is clear that what determines the point is the level of effort in the creation process, not the end result.

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SUPREME COURT WILL DECIDE CONSTITUTIONALITY OF REMOVING WORKS FROM THE PUBLIC DOMAIN

Guest blog post by Matthew Slevin.  Matthew is a Summer Associate in the San Francisco office of DLA Piper LLP. He is a J.D. Candidate at the University of California Hastings College of the Law.

Will children in the U.S. soon be unable to hear an orchestral performance of Peter and the Wolf?  In the coming fall term, the U.S. Supreme Court will hear Golan v. Holder, No. 10-545 (2011), which raises important questions about whether Congress can reinstate copyright protection to works formerly held in the public domain.  Among the works concerned are many important foreign films, music and art by authors such as Wolf composer Sergei Prokofiev, not to mention Hitchcock, Shostakovich, Stravinsky, Picasso and H.G. Wells.  The Court will consider two issues: (1) whether the Copyright Clause prohibits Congress from taking works out of the public domain and (2) whether the removal of works from the public domain violates the First Amendment by infringing on the free expression rights of those who rely on the use of those works.

Golan serves as follow-up to the landmark case Eldred v. Ashcroft, 537 U.S. 186 (2003), in which the Supreme Court held that Congress’ extension of copyright terms to keep works out of the public domain did not violate the First Amendment or the “limited [t]imes” provision of the Copyright Clause.  The Court in Eldred, however, left a door open for other potential violations, noting that if Congress "altered the traditional contours of copyright protection," then it could require First Amendment scrutiny. 

The two-pronged challenge in Golan concerns the “copyright restoration” provision enacted as section 514 of the Uruguay Round Agreements Act (URAA) in 1994 (and codified at 104A and 109(a) of the Copyright Act).  Intended to bring the U.S. into compliance with its treaty obligations under the Berne Convention, the URAA provided new copyright protection to tens of thousands of old foreign works that have long been in the public domain in the U.S. due to not having met registration requirements in the past.  In the case, a group of performers, publishers, distributors, and educators claim those “traditional contours” have been unconstitutionally altered.  They first brought suit against the federal government in the District of Colorado back in 2001, claiming that they relied on using the formerly public works for their livelihood and had to stop once the restored copyrights made licensing them cost-prohibitive. The case has been working its way through the federal courts ever since. 

On the Copyright Clause issue, the Tenth Circuit, in Golan v. Gonzalez, 501 F.3d 1179 (10th Cir. 2007), rejected one of Petitioners’ primary arguments: an attempt to apply Graham v. John Deere, 383 U.S. 1 (1966).  That old case stands for the rule that Congress cannot issue patents for inventions previously held in the public domain.  The appellate court found that Graham was inapplicable, citing a key difference between patent and copyright law: the quid pro quo of a patentee’s disclosure in exchange for protection is not present in copyright, under which authors, the court reasoned, are “eager” to disclose their work.  The court also relied on language in the Eldred case, which had upheld Congress’ “expansive” power to extend copyright terms absent an irrational exercise of authority. 

Now in their brief on the merits filed at the Supreme Court last month, Petitioners advance a more fundamental argument based in statutory interpretation of the “limited [t]imes” provision.  They argue that its plain meaning, along with Framers’ apparent intent to create a “permanent and stable” public domain and Congress’ history of maintaining one, point to the fact that Congress cannot restore protection to works already in the public domain.  They claim that if the URAA provision is valid, then Congress is potentially free to reinstate any work’s copyright after its initial termination, thereby treating no copyright term as truly “limited.”

As to the First Amendment issue, the Tenth Circuit held earlier this year that the URAA provision did not infringe on the petitioners’ free expression.  Golan v. Holder, 609 F.3d 1076 (10th Cir. 2011).  Applying intermediate level scrutiny to the provision, the court found that Congress had several sufficiently important interests to which the URAA was narrowly tailored, chief among them the goal of helping U.S. copyright holders by obtaining reciprocal international protection.  The Petitioners’ brief to the Supreme Court now launches an attack on that alleged interest.  They claim that goal “is not even a legitimate purpose,” because it does nothing but create private economic benefits to authors (or their estates) who created public domain works long ago.  Petitioners assert that as opposed to merely balancing the interests between the U.S. authors and parties who rely on foreign works, Congress sacrificed public speech rights in favor of potentially giving former domestic copyright holders more money.  They argue that creating private benefits is not a legitimate objective of copyright law.

As SCOTUSBlog described, Golan is “a major test of copyright power.”  It raises significant questions about the extent of Congress’ ability to regulate copyright and the complicated overlap that exists between it and First Amendment rights.  Although the facts here deal specifically with foreign works, the Court’s decision next term could have broad ramifications in all artistic spheres in the country.  To what degree can the U.S. public rely on the existence of a public domain? 

The Respondent’s brief on the merits is due to the Supreme Court on August 3.  For further examination of the procedural background and the others arguments raised by both parties, see SCOTUSBlog and Copyhype.

The Google Book Settlement & the Uncertain Future of Copyright

Back in March, Gina Durham and I co-wrote a blog post about the Google Book Settlement rejection.  We've since fleshed out our ideas for the CPI Antitrust Chronicle, an online publication with cutting-edge commentary on current global antitrust and competition policy issues.  We hope you enjoy!

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In March of this year, the District Court for the Southern District of New York rejected the proposed settlement of legal claims arising from Google's digitization of books and online display of excerpts in a class action copyright infringement suit brought by the Authors Guild and others against Google. While the court acknowledged that "the digitization of books and the creation of a universal digital library would benefit many" and found that the majority of factors favored approval, it ultimately determined that the proposed settlement was not fair, adequate, and reasonable. Since then, the fate of the settlement has been in limbo. As of this publication, it remains far from certain as to whether and how a deal may be struck that addresses competition concerns while balancing the other interests of the relevant stakeholders.

Click here to read the entire article: The Google Book Settlement & the Uncertain Future of Copyright

Online music to have parental warnings

Reposted from DLA Piper's bulletin from the Media & Sport Group

Editorial Team: Nick FitzpatrickDuncan Calow and Patrick Mitchell

Warning logos are to be introduced before songs and music videos on services such as Spotify and YouTube. This follows concerns about the amount of potentially inappropriate music content being too easily available to children online.


The British Phonographic Industry (BPI) is to update its "Parental Advisory" scheme. The scheme, which has been in operation for 15 years, is responsible for its warning symbol on CDs, DVDs and records which feature strong language, sex or violence.


The BPI is to implement a set of guidelines that expand the current scheme and will allow the logo to appear with songs and videos that are available to stream or download on UK digital music services.


According to BPI these sites, which also include Napster and Vevo, do not yet have an acceptably uniform parental guidance system.


The news follows recent Ofcom rulings that various music TV broadcasters have been in breach of the Broadcasting Code rules in relation to pre-watershed broadcasts of certain music videos.

HARGREAVES' BRAVE NEW WORLD IS UNVEILED

Posted by Simon LevineJohn Wilks and Rebecca Kay

There was an audible buzz in the IP community on Wednesday morning, as the findings of the latest UK IP policy review, led by Ian Hargreaves, were published in the report: "Digital Opportunity: A Review of Intellectual Property and Growth." (Click here)

The exam question

The review was first announced by the UK government on 11 November 2010 (see our previous alert here), following a speech made by the Prime Minister in which he set out his "vision" for London’s East End to become a pre-eminent "Silicon Valley"-style technology centre.  Interpreting Mr Cameron's "exam question" as being: "Could it be true that laws designed more than three centuries ago with the express purpose of creating economic incentives for innovation by protecting creators' rights are today obstructing innovation and economic growth?", Hargreaves' answer is a firm yes

The recommendations

The report sets out recommendations for an overhaul of the UK IP regime, in order to render it fit for the digital era and thus give the UK a competitive edge: although they are more in the nature of evolution not revolution.  The recommendations include the following: 

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Law à La Mode - Summer Edition

Reposted from our DLA Piper Italian IPT team blog.

Summer Law a La Mode

The Summer Edition of Law à la Mode is now available online: click here to view the e-magazine.

As some fashion operators choose Hong Kong for their IPOs, in this Summer edition of Law à la Mode you can read about how the introduction of a competition bill in Asia’s fashion hub may have an impact on its ever booming fashion and luxury market (pages 6-7). If legal updates are what you are looking for and you love shoes, you can’t miss the article on the red soles dispute (pages 10-11) and a report about trade mark distinctiveness for sneakers (pages 12-13). Our opinion articles explore the theme of fashion trade secrets (page 4) and reputation management of brands (page 5). Talking about (super)brands, see how you can benefit from extended protection in Russia (pages 8-9).

Again, we spoke with representatives of the fashion business (“A word from the Industry’s Mouth”, pages 14-15), including Kirstie Clements, editor of Vogue Australia. Moreover, this issue sees the addition of a new column devoted to fashion and social media, in which we will consider the pros and cons of establishing a presence in the social media arena and attempt to give some legal guidance to avoid potential pitfalls (page 16).

Law à la Mode brings together the latest news, comment and legal updates in the fashion, retail and design sector.

If you want to know more about Law à La Mode feel free to contact Ann Ford or Chiara Garofoli.

Suing Over Those Infamous Red Soles

Christian Louboutin S.A. v. Yves Saint Laurent America, Inc., et al. Case No. 11-CIV-2381-VM (April 7, 2011, S.D.N.Y.)

Christian Louboutin ("Louboutin"), famed French fashion designer, sued Yves Saint Laurent ("YSL") for infringing on his ever-so-popular trademark - women's high fashion footwear with the infamous red-lacquered bottoms. Louboutin seeks $1 million in damages for alleged trademark infringement and counterfeiting.

Since 1992, Louboutin has been selling his fancy footwear with the alluring red bottoms, which cost anywhere from $450 to $3,500 a pair. Louboutin claims that YSL has been selling women's shoes with red outsoles, costing about $600 to $800 a pair, since January 2011 that are nearly identical to his women's shoes in the same upscale department stores, which include, but are not limited to, Saks Fifth Avenue, Barneys, and Bergdorf Goodman.
 
Under U.S. trademark law, color can be protected and registered if it is not functional, ornamental or decorative and has acquired distinctiveness for the relevant goods and services (color cannot be inherently distinctive). For example, a color would be considered functional if it is essential to the use or purpose of the article or affects the cost or quality of the article (i.e., the color black for outboard boat motors or the color yellow or orange for safety signs). Furthermore, a color would be considered ornamental or decorative if competitors use the same or similar color for their products (i.e., floral pattern design of morning glories and leaves for tableware are merely decorative). Therefore, color can only acquire distinctiveness upon a showing of exclusive and continuous trademark use in commerce for more than five years and concrete evidence that the color is perceived as a mark for the relevant goods or services by consumers.
  
In this case, the United States Patent and Trademark Office found that Louboutin's red-lacquered soles acquired the requisite distinctiveness for trademark protection, granting it U.S. Registration No. 3361567 for "lacquered red sole[s]"  covering "women's high fashion designer footwear" in International Class 25. Therefore, given Louboutin's long-standing trademark use for nearly twenty years and the widespread consumer recognition of red bottom soles as Louboutin's signature coupled with this U.S. trademark registration, it appears that Louboutin has a pretty strong case for trademark infringement against YSL if, indeed, YSL's red-outsole women's shoes are "confusingly similar" to Louboutin's trademarked footwear.

IP Roundup: May 2, 2011

Some of the latest news on copyright and trademark from around the web:

IP ROUNDUP: APR. 4

Some of the latest copyright and trademark happenings from around the Internet:

Cert. Granted in Golan v. Holder

Written by Shannon Mo, Associate in San Francisco

Picasso's Still Got It.  Or doesn't he?

The Supreme Court agreed last month to hear a case, Golan v. Holder, addressing whether Congress acted constitutionally in 1994 when it restored copyrights to a handful of foreign works -- hugely important works including Picasso's "Guernica," films by Alfred Hitchcock, and symponies by Stravinsky -- works which previously belonged to the public.

A similar issue was heard almost nine years ago when the Court considered whether copyrights for works not yet in the public domain could be extended by 20 years at Congress' discretion, eventually ruling that extensions for works not yet in the public domain are permitted.  In the 2003 Eldred v. Ashcroft case (537 U.S. 186), the court ruled that the extension did not exceed Congress’ power under the Copyright Clause.

However, the question remains: when, if ever, does Congress have the constitutional power to revive copyright protection once it has expired for a creative work?

This question may finally be answered.  

In 1994, the Uruguay Round Agreements Act (URAA) implemented the Uruguay Round General Agreement on Tariffs and Trade (GATT), which includes an agreement on the Trade-Related Aspects of Intellectual Property (TRIPS).  The act took once freely accessible works and put them back under copyright protection.  The case now before the Supreme Court, Golan v. Holder, tests whether the Copyright Clause gives Congress any authority to take a work out of the public domain — that is, to restore its copyright shield once that has expired.  Second, it tests whether the 1994 law at issue violates the free speech rights of those who, before the law was passed, freely performed or distributed works that had entered the public domain.

The plaintiffs' attorneys argue the Constitution was meant to create incentives for the creation of art and the progress of science, not to create timeless monopolies.  “If Congress is free to restore material from the public domain at will,” the petition for review argues, “then the public’s federal right to copy and to use public domain material this Court has recognized may evaporate at any time.”

The government, on the other hand, represents that the 1994 decision did not impair the constitutional structure, or free speech rights, and was designed to apply to foreign works by authors unfamiliar with United States law, or previously ineligible for protection.  In its defense, the government argued the 1994 decision allows works to expire as if they had been protected since creation.

This case is incredibly important in the copyright evolution in the United States.  All eyes will be watching.

Google Book Settlement Rejection

The District Court for the Southern District of New York has refused to approve  the proposed settlement of copyright claims arising from Google's digitization of books and presentation of excerpts online in a class action copyright infringement suit brought by the Authors Guild and others against Google, Inc.  The Authors Guild v. Google, Inc., SDNY, No. 05 Civ. 8136 (DC), 3/22/2011.
 
 Plaintiffs filed the suit claiming that Google had  violated their copyrights and those of other Rightsholders of Books and Inserts by scanning their Books, creating an electronic database and displaying short excerpts without the permission of the copyright holders. In 2008, Google announced an agreement to pay $125 million dollars to settle the lawsuit. The settlement agreement also included licensing provisions, allowing Google to sell personal and institutional subscriptions to its database of books.  In late 2009, the parties filed an amended settlement agreement, seeking court approval of the settlement pursuant to Rule 23 of the Federal Rules of Civil Procedure.  Several groups, including the Department of Justice and some class members, objected to the amended settlement agreement on a variety of grounds.   This week, Judge Chin, writing for the District Court for the Southern District of New York rejected the settlement.
 
The settlement was an attempt to balance concerns about copyright protection, antitrust issues, and privacy issues with the premise that "the creation of a universal digital library would benefit many."  However, certain objections regarding the proposed settlement's potential impact on copyright holders and on free competition prompted the Court to reject the agreement.
 
While Judge Chin expressed little concern with the backward looking release aspect of the settlement, he concluded that there were portions of the settlement that went too far, describing it as “an attempt to use the class action mechanism to implement forward-looking business arrangements that go far beyond the dispute before the Court in this litigation ... The questions of who should be entrusted with guardianship over orphan books, under what terms, and with what safeguards are matters more appropriately decided by Congress than through an agreement among private, self-interested parties.  Indeed, the Supreme Court has held that "it is generally for Congress, not the courts, to decide how best to pursue the Copyright Clause's objectives."  Eldred v. Ashcroft, 537 U.S. 186, 212 (2003)."    The judge continued: "While the digitization of books and the creation of a universal digital library would benefit many, the ASA [Amended Settlement Agreement] would simply go too far ... Indeed, the ASA would give Google a significant advantage over competitors, rewarding it for engaging in wholesale copying of copyrighted works without permission, while releasing claims well beyond those presented in the case."  In the end, the Judge hinted that changing the procedure from opt-out to opt-in might past judicial muster.  
 
It will be interesting to continue to monitor this issue.  Some commentators predict that Google may pursue and opt-in approach to digitization in both the U.S. and Europe.  

By Gina Durham & Debbie Rosenbaum

The Authors Guild v. Google, Inc., SDNY, No. 05 Civ. 8136 (DC), 3/22/2011.

The District Court for the Southern District of New York has rejected the proposed settlement of legal claims arising from Google's digitization of books and online display of excerpts in a class action copyright infringement suit brought by the Authors Guild and others against Google. 

Plaintiffs filed the suit claiming that Google had violated their copyrights and those of other copyright rightsholders by scanning their books, creating an electronic database, and displaying short excerpts without the permission of the copyright holders. In 2008, Google announced an agreement to pay $125 million dollars to settle the lawsuit. The settlement agreement also included licensing provisions, allowing Google to sell personal and institutional subscriptions to its database of books.  In 2009, the parties filed an amended settlement agreement, seeking court approval of the settlement pursuant to Rule 23 of the Federal Rules of Civil Procedure.  Several groups, including the Department of Justice and some class members, objected to the amended settlement agreement on a variety of grounds. This week, Judge Chin, writing for the District Court for the Southern District of New York, rejected the settlement.

The settlement was an attempt to balance concerns about copyright protection, antitrust issues, and privacy issues with the premise that "the creation of a universal digital library would benefit many."  However, certain objections regarding the proposed settlement's potential impact on copyright holders and on free competition prompted the Court to reject the agreement.

While Judge Chin expressed little concern with the backward-looking release aspect of the settlement, he concluded that there were portions of the settlement that went too far -- particularly the future releases -- describing it as “an attempt to use the class action mechanism to implement forward-looking business arrangements that go far beyond the dispute before the Court in this litigation."  Judge Chin continued, "The questions of who should be entrusted with guardianship over orphan books, under what terms, and with what safeguards are matters more appropriately decided by Congress than through an agreement among private, self-interested parties.  Indeed, the Supreme Court has held that 'it is generally for Congress, not the courts, to decide how best to pursue the Copyright Clause's objectives.' Eldred v. Ashcroft, 537 U.S. 186, 212 (2003)."    

Judge Chin postulated that "[w]hile the digitization of books and the creation of a universal digital library would benefit many, the ASA [Amended Settlement Agreement] would simply go too far ... Indeed, the ASA would give Google a significant advantage over competitors, rewarding it for engaging in wholesale copying of copyrighted works without permission, while releasing claims well beyond those presented in the case."  In the end, the Judge hinted that changing the procedure from opt-out to opt-in might past judicial muster.  

The court accepted over 500 briefs from various parties supporting or opposing the settlement and early last year held a hearing on the fairness of the settlement. Statements released from the Author's Guild and the Association of American Publishers suggest that they are more interested in renegotiating the settlement than appealing the decision. It will be interesting to continue to monitor this issue.  Some commentators predict that Google may pursue and opt-in approach to digitization in both the U.S. and Europe.

Winter/Spring Q1, 2011 IPT Newsletter

IPT9_thumb.jpg

 

Our team just released the latest version of our Intellectual Property and Technology newsletter (Q1, 2011) (PDF here). Download our latest edition of this newsletter for articles on these topics and more:

Reprocessing and resale of single use medical devices: a multinational view
Current developments in the trilateral patent offices
Your own dot com: ICANN annouces new gTLD rollout
Patent litigation forum shopping in the E

 

Download our latest edition of this newsletter for articles on these topics and more:

  • Reprocessing and resale of single use medical devices: a multinational view
  • Current developments in the trilateral patent offices
  • Your own dot com: ICANN annouces new gTLD rollout
  • Patent litigation forum shopping in the EU

Be sure to check out Ryan Compton and Debbie Rosenbaum's article on ICANN's gTLD rollout on page 8!

IP ROUNDUP: MAR. 21

Annnndddd we're back from a small hiatus.  Since the last IP Roundup, there have been a ton of great stories and analyses on Trademark and Copyright Law around the Internet.  

IP ROUNDUP: FEB. 28

Our team's weekly roundup of top stories on Copyright and Trademark from around the Internet:

IP ROUNDUP: FEB. 21

Our team's weekly roundup of top stories on Copyright and Trademark from around the Internet:

 

Rihanna, LaChappelle, and Copyright

Is Rihanna's New Racy "S and M" Video Substantially Similar to David LaChappelle's Famed Photography?

 
Tabloid darling and pop singer Rihanna is being sued for $1 Million for copyright infringement by famed photographer David LaChapelle for allegedly copying eight photographs in her new racy and provocative "S and M" music video. LaChapelle claims that Rihanna copied the "composition, total concept, feel, tone, mood, theme, colors, props, settings, decors, wardrobe, and lighting" from "eight photographs conceived and created" by him. 
 
To prove copyright infringement, LaChapelle would have to successfully establish: (1) ownership of a valid copyright in the photographs; and (2) that Rihanna copied protected elements of his photographs. The hallmark standard for proving infringement is the "substantial similarity" test. In which case, the similarities between the two works need not be literal or exactly identical. It only requires that the works would be perceived as aesthetically close, despite a few disparities, to the ordinary person. Here, LaChapelle likely has valid copyright ownership in the eight photographs. As for the second prong, however, that is up for debate. Does Rihanna's new video pass the substantial similarity test? You can decide.

Tabloid darling and pop singer Rihanna is being sued for $1 Million for copyright infringement by famed photographer David LaChapelle for allegedly copying eight photographs in her new racy and provocative "S and M" music video. LaChapelle claims that Rihanna copied the "composition, total concept, feel, tone, mood, theme, colors, props, settings, decors, wardrobe, and lighting" from "eight photographs conceived and created" by him. 

To prove copyright infringement, LaChapelle would have to successfully establish: (1) ownership of a valid copyright in the photographs; and (2) that Rihanna copied protected elements of his photographs. The hallmark standard for proving infringement is the "substantial similarity" test. In which case, the similarities between the two works need not be literal or exactly identical. It only requires that the works would be perceived as aesthetically close, despite a few disparities, to the ordinary person. Here, LaChapelle likely has valid copyright ownership in the eight photographs. As for the second prong, however, that is up for debate.

Does Rihanna's new video pass the substantial similarity test?  You can decide for yourself. Check out the images here.

Fashion, Retail and Design E-Zine -- Fashion & Copyright

One of our group's biggest partners internationally is DLA Piper's Fashion, Retail & Design Group.  We wanted to share the group's inaugural quarterly e-magazine, Law à la Mode [link to e-mag], which brings together the latest industry news, comment and legal updates.  
 
Our Fashion, Retail & Design Group is made up of lawyers from around the globe, who combine legal expertise with a passion for the fashion, retail and design sectors.
 
Be sure to check out our group's article about Copyrighting Fashion Design in the United States!

 

lawalamode1.jpg

One of our group's newest sector-focus groups is DLA Piper's Fashion, Retail & Design Group. We wanted to share the group's inaugural quarterly e-magazine, Law à la Mode, which brings together the latest industry news, comment and legal updates.  

Our Fashion, Retail & Design Group is made up of lawyers from around the globe, who combine legal expertise with a passion for the fashion, retail and design sectors.

Be sure to check out our group's article about Copyrighting Fashion Design in the United States!

 

Copyrighting Fashion in the United States

Copyrighting Fashion Design in the United States

Reprinted from La A La Mode,
DLA Piper's Fashion, Retail and Design E-zine

By Ann Ford and Tom ZuticThumbnail image for law a la mode (c)

While design, patent and trade dress laws have long been used to enforce fashion rights, copyright laws in the United States have thus far been unavailable. Last summer, New York Senator Charles E. Schumer introduced legislation that could change this. In December, the Senate Judiciary Committee passed the Innovative Design Protection and Piracy Prevention Act, or Senate Bill S. 3728 (IDPPPA), and the next step is for the full Senate to vote on it.

The IDPPPA calls for the extension of copyright laws to the fashion industry, a commercial sector that has existed without protection in the United States to date. The legislation is supported by the American Apparel & Footwear Association (AAFA) and the Council of Fashion Designers of America (CFDA). The bill covers apparel, footwear, and accessories such as scarves, belts, and handbags.

The IDPPPA takes a very narrow approach to applying copyright law. First, IDPPPA will provide a three-year term of protection to new and original fashion designs commencing from the time the item is displayed publicly. Second, it will protect only “unique” designs that are truly distinguishable. Third, it will only cover designs created after its enactment, leaving earlier designs in the public domain.

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International Trademark Issues: Winter 2011

One of the advantages to being an international firm is that our expertise and experience is global. We are delighted and eager to share our European, Asian, and African colleagues' recently published Winter Design and Trademark Newsletter.

Here are just some of the important alerts relevant to our clients worldwide.

Trademark and design 
newsleTTer

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Mattel MGA Case Update: new trial and mistrial in Bratz doll case

Mattel Inc v. MGA Entertainment Inc, U.S. District Court, Central District of California, No. 04-09049.

I originally wrote about the Bratz copyright case for my overview of 2010 cases blog post, and wanted to post an update as the story develops.  

January Update: In the dispute for the intellectual property rights to The Bratz Dolls, conceptualized during an individual’s scope of employment at Mattel but fleshed out and marketed elsewhere (Mattel-competitor MGA), Chief Judge Kozinski (who, in a prior opinion, had advised Mattel to "chill") remanded this case back to the district court. Kozinski ruled that even though the employee’s contract assigned his ideas to Mattel, the value of the trademarks the company eventually acquired for the entire Bratz line was significantly greater because of MGA’s own development efforts, marketing and investment.

February Update: The trial started Jan. 18 and was expected to last until late spring. But the story continued this week when Mattel asked a federal judge to declare a mistrial because the trial was tainted when MGA's Isaac Larian testified that Mattel caused the stress that led to his father's death and destroyed his family, among other things. 

What’s at stake: This case has huge implications for employment contracts and intellectual property developed during the scope of employment. The original case opinion focuses on whether corporations can claim ownership of their employee’s ideas, particularly where those ideas are conceived in a private context but during the employment period. This decision will have huge implications for companies whose main assets are ideas – and how they can continue to protect intangible assets in the future.

INTA Round-Table: Trademark Law in the Fashion and Apparel Industries

Last Friday, we attended an INTA roundtable on Trademark Law in the Fashion Industry at Arent Fox in Washington D.C. It was a great discussion, and we want to send a special thanks to INTA for organizing and Arent Fox for hosting.  As our team engages in more work in the fashion industry, we aim to keep our clients up-to-date with the latest trends in fashion law.

Last Friday, my colleague and I attended an INTA roundtable on Trademark Law in the Fashion Industry at Arent Fox in Washington D.C. From this roundtable, I gathered three takeaways. First, for fashion companies, the company name and logo are the most valuable assets, so fashion companies should federally register their name and logo to ensure nationwide protection and exclusivity. Since U.S. law does not currently afford much protection for fashion designs, designers can at least utilize trademark law to protect two aspects-- its company name and logo. Second, major fashion brand companies, such as Chanel and Louis Vuitton, are moving into different (are arguably unforeseeable) markets. For example, Chanel now sells guitars and Louis Vuitton sells chopsticks under its trademarks. With these companies expanding into these, at one point, unforeseeable and far-fetched markets, claims of trademark infringement are even more foreseeable. Third, fashion is cyclical, which means it is constantly evolving and revisiting past innovations, so it is unclear whether proposed legislation, such as the Innovative Design Protection and Piracy Prevention Act, will encourage or stifle fashion innovation. Last Friday, we attended an INTA roundtable on Trademark Law in the Fashion Industry at Arent Fox in Washington D.C.  It was a great discussion, and we wanted to send a thanks to INTA for organizing.  As our team engages in more work in the fashion industry, we aim to keep our clients up-to-date with the latest trends in fashion law.

From this roundtable discussion, we gathered three takeaways that we wanted to share.

First, for fashion companies, the company name and logo are the most valuable assets, so fashion companies should federally register their name and logo to ensure nationwide protection and exclusivity. Since U.S. law does not currently afford much protection for fashion designs, designers can at least utilize trademark law to protect two aspects-- its company name and logo.

Second, major fashion brand companies, such as Chanel and Louis Vuitton, are moving into different (and arguably unforeseeable) markets. For example, Chanel now sells guitars and Louis Vuitton sells chopsticks under its trademarks. With these companies expanding into these, at one point, unforeseeable and far-fetched markets, claims of trademark infringement are even more foreseeable.

Third, fashion is cyclical, which means it is constantly evolving and revisiting past innovations, so it is unclear whether proposed legislation, such as the Innovative Design Protection and Piracy Prevention Act, will encourage or stifle fashion innovation.

IP ROUNDUP: FEB. 7

There is so much going on in copyright and trademark this week.  Here is just a snapshot from around the Internet.
 

IP Roundup: Jan. 31

Introducing a new regular feature here at Re:Marks -- a weekly aggregation of links to relevant news stories and thoughtful blog posts around the Internet.
 

Have questions or comments about Re:Marks on Copyright and Trademark?  Email us at remarks@dlapiper.com.

Influential Cases of 2010

Our group spends a significant amount of time working on issues relating to the transformation of copyright and trademark laws in the 21st century. I am particularly passionate about and interested in how the Internet and other new technologies challenge these dynamic areas of law. For my first blog post, I revisited a few of what I see as the most influential cases of 2010. 

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2010 COPYRIGHT AND TRADEMARK CASE HIGHLIGHTS
Capitol Records Inc. v. Thomas-Rasset, No. 06-1497 
This case had two major impacts on the realm of copyright in 2010.
(D. Minn. Jan. 22, 2010)
Opinion
First, in January U.S. District Court Chief Judge Michael Davis for the District of Minnesota remitted a 2009 jury award of statutory damages totaling $1.92 million by 97% to $54,000 against defendant Jammie Thomas-Rasset for willfully infringing plaintiffs’ copyrights by downloading 24 songs using the Kazaa peer-to-peer network.  Judge Davis held that although Plaintiffs highlight valid reasons that Thomas‐Rasset should pay a statutory damages award, the Judge ruled that these facts simply could not justify a $2 million verdict in this case.  He ruled that although this new award was still three times the statutory minimum, this reduced award remains “significant and harsh” and should sufficiently serves both the deterrent and the compensatory purposes of statutory damages.
JUDGMENT IN A CIVIL CASE: Civil File No. 06‐1497 (MJD/LIB)
Judgement
The plaintiffs rejected the reduced damage award and, instead, asked for a new trial on damages.  On November 4, the jury returned a verdict awarding statutory damages in the amount of $62,500 for each of 24 songs for a total amount of $1.5 million.  These file-sharing cases have a profound impact on the future of copyright in the United States as the damage awards have consistently shocked the public conscience.
Reed Elsevier v. Muchnick, No. 08–103 (U.S. Mar. 2, 2010)
Opinion
In one of the only copyright cases to reach the Supreme Court of the United States this year, the Supreme Court overturned a Second Circuit Court of Appeals decision which held that a Section 411(a)’s registration requirement is a precondition to filing a copyright infringement claim.  The Supreme Court, however, ruled that a copyright holder’s failure to comply with this registration requirement does not restrict a federal court’s subject-matter jurisdiction over infringement claims  involving unregistered works.  
Tiffany Inc. v. eBay Inc., Case No. 08-3947 (2d Cir., Apr. 1, 2010)
Opinion
The Second Circuit for the United States Court of Appeals largely affirmed the holdings of the United States District Court for the Southern District of New York, holding that eBay, the proprietor of a website through which counterfeit Tiffany merchandise was sold -- did not, on the facts presented, engage in trademark infringement, false advertising, or trademark dilution.  The court ruled that for contributory trademark infringement liability to lie, a service provider must  have more than a general knowledge or reason to know that its service is being used to sell counterfeit goods.  For this reason, eBay itself could not be held liable for direct or contributory trademark infringement or for trademark dilution. The Court remanded the case, however, with respect to Tiffany's claim of false advertising. This case begins to pave the legal precedent path with respect to liability of internet-based sales websites and counterfeit goods.
Viacom Int’l Inc. v. YouTube, Inc., No. 07 Civ. 2103 (S.D.N.Y. June 23, 2010)
Opinion
The United States District Court for the Southern District of New York granted summary judgment in favor of video-sharing service YouTube (owned by Google) on all of media company Viacom's claims for direct and secondary copyright infringement. The court held that YouTube was entitled to the protections of the Digital Millennium Copyright Act's ("DMCA") "safe harbor" provisions, 17 U.S.C. 512(c).  The case continues to defend the boundaries of the DMCA safe harbor provision, with the court concluding that "[g]eneral knowledge that infringement is 'ubiquitous' does not impose a duty on the service provider to monitor or search its service for infringements."
Visa Int’l Serv. Ass’n v. JSL Corp., No. 08-15206 (9th Cir. Jun. 28, 2010)
Opinion
The Ninth Circuit for the United States Court of Appeals affirmed the U.S. District Court for the District of Nevada’s summary judgment ruling, holding that JSL Corporation’s (“JSL”) “eVisa” mark diluted Visa International Service Association’s “Visa” mark under the theory of dilution by blurring, which occurs when a mark previously associated with one product also becomes associated with a second.  15 U.S.C. § 1125(c)(2)(B).  The court decided that even though Visa doesn’t own the word “visa” and may not  “deplete the stock of useful words” by asserting otherwise, the injury addressed by anti-dilution law in fact occurs when marks are placed in new and different contexts, thereby weakening the mark’s ability to bring to mind the plaintiff’s goods or services.  This case has deep repercussions for brands that employ generic or common words as part of their trademarks.
Toyota Motor Sales v. Tabari, No. 07-55344 (9th Cir. Jul. 8, 2010)
Opinion
The Ninth Circuit for the United States Court of Appeals vacated and remanded an injunction against auto-brokers Farzad and Lisa Tabari issued by the District Court for the Central District of California in a trademark infringement claim brought by Toyota Motor Sales U.S.A. (“Toyota”), the exclusive distributor of Lexus vehicles in the United States.  The Court of Appeals ruled that Tabaris' use on their website of copyrighted photography of Lexus vehicles and the circular “L Symbol Design mark,” in addition to the use of the string “lexus” in their domain names.  The Ninth Circuit held that the nominative fair use doctrine allows truthful use of a mark, even if the speaker fails to expressly disavow association with the trademark holder, so long as it's unlikely to cause confusion as to sponsorship or endorsement.  This case has great reverberations for domain name use because it extends the notion of nominative fair use to hold that trademarks are part of our common language, and we all have some right to use them to communicate in truthful, non-misleading ways.
MGA Entertainment, Inc. v. Mattel, Inc., No. 09-55673 (9th Cir. July 22, 2010)
Opinion
The Ninth Circuit for the United States Court of Appeals reversed the District Court’s decision to enter equitable relief based on a jury’s findings that Mattel-competitor MGA had committed three state-law violations relating to a former employee’s involvement in creating The Bratz Dolls during the scope of his employment at Mattel.  The court also issued a general verdict finding MGA liable for infringing Mattel’s copyrights in its former employee’s works.  In addition to assignment of ownership of the Bratz brand, the district court also ordered Bratz manufacturer MGA to pay Mattel $10 million in damages.  Instead, the Ninth Circuit ruled that even if Bryant’s employment agreement assigned his ideas to Mattel, the value of the trademarks the company eventually acquired for the entire Bratz line was significantly greater because of MGA’s own development efforts, marketing and investment.  The case is particularly important for companies considering the language in their employment contracts: it’s no longer clear exactly how broadly or narrowly the phrase “at any time during my employment” should be interpreted.
In re Chippendales USA, Inc., Serial No. 78/666,598 (Fed. Cir. Oct. 1, 2010)
Opinion
The United States Court for the Federal Circuit affirmed the Trademark Trial and Appeal Board’s refusal to register Chippendales abbreviated tuxedo costume -- wrist cuffs and a bowtie collar without a shirt -- as inherently distinctive.  The court looked to the use of the Playboy bunny suit, including cuffs and a collar, as substantial evidence supporting the Board’s factual 
determination that Chippendales’ Cuffs & Collar mark is not inherently distinctive.  This case is important in helping define the boundaries for which businesses can apply for trade dress protection for costumes.
Righthaven v. Realty One Group, 2:10-cv-1036-LRH-PAL (D. Nev. Oct. 18, 2010)
Opinion
The District Court of Nevada granted defendant Michael Nelson’s motion to dismiss, ruling that Nelson’s use of copyrighted materials on a blog falls within the Fair Use doctrine. Nelson displayed an unauthorized copy of a news story entitled “Program may level housing sale odds” which was originally published in the Las Vegas Review Journal.  Although Righthaven obtained a transfer of rights for the article from the Review Journal, the court held that when the traditional fair use analysis was applied to the situation, Nelson did not infringe Righthaven’s copyright as a matter of law.  The proliferation of the Righthaven lawsuits is notable because the campaign echoes the attempts by the music industry to aggressively enforce copyrights via the courts.

Capitol Records Inc. v. Thomas-Rasset, No. 06-1497*

680 F.Supp.2d 1045 (D. Minn. Jan. 22, 2010)

Overview: In January, U.S. District Court Chief Judge Michael Davis for the District of Minnesota remitted a 2009 jury award of statutory damages totaling $1.92 million against defendant Jammie Thomas-Rasset by 97% to $54,000.  This damages award arose from claims that Thomas-Rasset willfully infringed plaintiffs’ copyrights by downloading 24 songs using the Kazaa peer-to-peer network.  Judge Davis held that although Plaintiffs highlight valid reasons that Thomas‐Rasset should pay a statutory damages award, the Judge ruled that these facts simply could not justify a $2 million verdict in this case.  He further opined that although this new award was still three times the statutory minimum, this reduced award remains “significant and harsh” and should sufficiently serve both the deterrent and the compensatory purposes of statutory damages.

Judgment in a Civil Case: Civil File No. 06‐1497 (MJD/LIB)

Overview: The plaintiffs rejected the reduced damage award and, instead, asked for a new trial on damages.  On November 4, the jury returned a verdict awarding statutory damages in the amount of $62,500 for each of 24 songs for a total amount of $1.5 million.  

Takeaways: P2P file-sharing cases are having a profound impact on the future of copyright as applied to individual users of online platforms.  Judges in at least two jurisdictions have changed the jury awards -- both citing them unconscionable -- potentially leading to not only a split in future appeals but also calls for legislation from all sides.

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